Beyond Borders: Mobility and sites of exchange among interwar avant-garde theatres in Central-Eastern Europe. Introduction

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61989592%3A15210%2F23%3A73623328" target="_blank" >RIV/61989592:15210/23:73623328 - isvavai.cz</a>

Výsledek na webu

<a href="https://obd.upol.cz/id_publ/333203215" target="_blank" >https://obd.upol.cz/id_publ/333203215</a>

DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Beyond Borders: Mobility and sites of exchange among interwar avant-garde theatres in Central-Eastern Europe. Introduction

Popis výsledku v původním jazyce

Introduction to the transnational and international theatrical exchanges, collaborations and mobility of the interwar theatre avant-gardes in Central and Eastern Europe. The aim of the texts presented is to highlight these common contacts in relation to the heterogeneity of the environments in which they were performed. Nevertheless, the common dynamic can be observed in the relationship between internationalist ambitions and negotiations with local &apos;home&apos; traditions. In general, the chapter assumes that transnational, international and decentred approaches are very relevant to the history of avant-garde theatre in Central and Eastern Europe. In particular, the idea of questioning &apos;centre-periphery&apos; relations, which has emerged in recent avant-garde studies, should be brought to bear on the study of avant-garde theatre in the geopolitical contexts of 1920s and 1930s Central and Eastern Europe. The questioning of &apos;centre-periphery&apos; relations in the field of theatre studies brings into focus the idea of a non-hierarchical history of avant-garde theatre beyond Western-centred influences, the internationality of avant-garde theatre beyond the concept of national theatres, the cross-border and sometimes transnational networked exchanges. To study avant-garde theatre from this perspective in the historical context of post-war Europe, we can ask the following questions How were pre-war contacts and forms of cultural exchange transformed in relation to theatre? What new cultural nodes and networks were created? What were the specific dynamics in the negotiation between international ambitions and local theatrical traditions performed in different places in Central and Eastern Europe?

Název v anglickém jazyce

Beyond Borders: Mobility and sites of exchange among interwar avant-garde theatres in Central-Eastern Europe. Introduction

Popis výsledku anglicky

Introduction to the transnational and international theatrical exchanges, collaborations and mobility of the interwar theatre avant-gardes in Central and Eastern Europe. The aim of the texts presented is to highlight these common contacts in relation to the heterogeneity of the environments in which they were performed. Nevertheless, the common dynamic can be observed in the relationship between internationalist ambitions and negotiations with local &apos;home&apos; traditions. In general, the chapter assumes that transnational, international and decentred approaches are very relevant to the history of avant-garde theatre in Central and Eastern Europe. In particular, the idea of questioning &apos;centre-periphery&apos; relations, which has emerged in recent avant-garde studies, should be brought to bear on the study of avant-garde theatre in the geopolitical contexts of 1920s and 1930s Central and Eastern Europe. The questioning of &apos;centre-periphery&apos; relations in the field of theatre studies brings into focus the idea of a non-hierarchical history of avant-garde theatre beyond Western-centred influences, the internationality of avant-garde theatre beyond the concept of national theatres, the cross-border and sometimes transnational networked exchanges. To study avant-garde theatre from this perspective in the historical context of post-war Europe, we can ask the following questions How were pre-war contacts and forms of cultural exchange transformed in relation to theatre? What new cultural nodes and networks were created? What were the specific dynamics in the negotiation between international ambitions and local theatrical traditions performed in different places in Central and Eastern Europe?

Druh

C - Kapitola v odborné knize

CEP obor

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OECD FORD obor

60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)

Projekt

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Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2023

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název knihy nebo sborníku

A Lexicon of the Central-Eastern European Interwar Theatre Avant-garde

ISBN

978-83-67682-17-6

Počet stran výsledku

9

Strana od-do

165-173

Počet stran knihy

700

Název nakladatele

Instytut Teatralny im. Zbigniewa Raszewskiego

Místo vydání

Warsaw

Kód UT WoS kapitoly

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