Polystylistic Tendencies in Early Czech Progressive Rock

Kód výsledku v IS VaVaI

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Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Polystylistic Tendencies in Early Czech Progressive Rock

Popis výsledku v původním jazyce

Phenomena such as psychedelic rock and progressive rock entered the Czechscene in the last third of the 1960s. Similar to what happened abroad, these genrespopularized the idea of art rock based on the fusion of various styles of popular and classicalmusic, and possibly other artistic genres. Following the progressive rock aesthetic, severalremarkable recordings were made in the late 1960s and early 1970s, which reflected notonly the influence of foreign (especially British) musical models but also the specificities ofdomestic popular music. These included, first and foremost, the uptake of jazz elements andthe use of swing/ post- swing big bands, which, also as a result of the conservative culturalpolicy of communist Czechoslovakia, had long dominated local popular music (especiallyafter the advent of normalisation in the 1970s, somewhat anachronistically). Anotherparticularity was the integration of domestic folklore elements, which many musiciansspontaneously and in pursuit of a national form of rock had already approached in thesecond half of the 1960s, independently of the later normalisation appeals to return todomestic folk music driven by the state authorities cultural policy.

Název v anglickém jazyce

Polystylistic Tendencies in Early Czech Progressive Rock

Popis výsledku anglicky

Phenomena such as psychedelic rock and progressive rock entered the Czechscene in the last third of the 1960s. Similar to what happened abroad, these genrespopularized the idea of art rock based on the fusion of various styles of popular and classicalmusic, and possibly other artistic genres. Following the progressive rock aesthetic, severalremarkable recordings were made in the late 1960s and early 1970s, which reflected notonly the influence of foreign (especially British) musical models but also the specificities ofdomestic popular music. These included, first and foremost, the uptake of jazz elements andthe use of swing/ post- swing big bands, which, also as a result of the conservative culturalpolicy of communist Czechoslovakia, had long dominated local popular music (especiallyafter the advent of normalisation in the 1970s, somewhat anachronistically). Anotherparticularity was the integration of domestic folklore elements, which many musiciansspontaneously and in pursuit of a national form of rock had already approached in thesecond half of the 1960s, independently of the later normalisation appeals to return todomestic folk music driven by the state authorities cultural policy.

Druh

C - Kapitola v odborné knize

CEP obor

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OECD FORD obor

60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)

Projekt

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Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2024

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název knihy nebo sborníku

Ubuntu Fusion Music

ISBN

978-3-631-91091-7

Počet stran výsledku

15

Strana od-do

103-117

Počet stran knihy

266

Název nakladatele

Peter Lang

Místo vydání

Berlin

Kód UT WoS kapitoly

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