Radio and audiobook acting: comparative analysis of two audio productions of The Master and Margarita

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61989592%3A15210%2F24%3A73625421" target="_blank" >RIV/61989592:15210/24:73625421 - isvavai.cz</a>

Výsledek na webu

<a href="https://digilib.phil.muni.cz/sites/default/files/pdf/TY2024-1-08.pdf" target="_blank" >https://digilib.phil.muni.cz/sites/default/files/pdf/TY2024-1-08.pdf</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.5817/TY2024-1-8" target="_blank" >10.5817/TY2024-1-8</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Radio and audiobook acting: comparative analysis of two audio productions of The Master and Margarita

Popis výsledku v původním jazyce

This study analyses the differences and commonalities of acting in traditional radio produc-tion and audiobooks. Using the examples of two adaptations of Mikhail Bulgakov’s novelThe Master and Margarita, a radio dramatisation directed by Jiří Horčička (1987) and anaudiobook by Natália Deáková (2021), it deals with the differences between the two audiotreatments, noting the ways in which the literary subject is creatively concretised throughthe audio medium and the relationship between the literary text and its vocal interpreta-tion. The aim of the study is to define the specificities and name the typical practices ofactor-interpretation within radio and audiobook production. Methodologically, the analysisis based on the structural semiotics of acting, as proposed by Jiří Veltruský for the contextof drama acting.

Název v anglickém jazyce

Radio and audiobook acting: comparative analysis of two audio productions of The Master and Margarita

Popis výsledku anglicky

This study analyses the differences and commonalities of acting in traditional radio produc-tion and audiobooks. Using the examples of two adaptations of Mikhail Bulgakov’s novelThe Master and Margarita, a radio dramatisation directed by Jiří Horčička (1987) and anaudiobook by Natália Deáková (2021), it deals with the differences between the two audiotreatments, noting the ways in which the literary subject is creatively concretised throughthe audio medium and the relationship between the literary text and its vocal interpreta-tion. The aim of the study is to define the specificities and name the typical practices ofactor-interpretation within radio and audiobook production. Methodologically, the analysisis based on the structural semiotics of acting, as proposed by Jiří Veltruský for the contextof drama acting.

Druh

J_SC - Článek v periodiku v databázi SCOPUS

CEP obor

—

OECD FORD obor

60405 - Studies on Film, Radio and Television

Projekt

—

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2024

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Theatralia

ISSN

1803-845X

e-ISSN

2336-4548

Svazek periodika

27

Číslo periodika v rámci svazku

1

Stát vydavatele periodika

CZ - Česká republika

Počet stran výsledku

27

Strana od-do

167-193

Kód UT WoS článku

—

EID výsledku v databázi Scopus

2-s2.0-85167353138