Hugo Haas at Columbia: Auteur on the Margins

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61989592%3A15210%2F24%3A73625504" target="_blank" >RIV/61989592:15210/24:73625504 - isvavai.cz</a>

Výsledek na webu

<a href="https://obd.upol.cz/id_publ/333205391" target="_blank" >https://obd.upol.cz/id_publ/333205391</a>

DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Hugo Haas at Columbia: Auteur on the Margins

Popis výsledku v původním jazyce

The chapter focuses on four American films produced and directed by Hugo Haas that were distributed by Columbia Pictures between (Pickup, Strange Fascination, One Girl&apos;s Confession and Bait). The author relates them to Haas&apos;s film and theatre work in Czechoslovakia and describes their specific poetics, influenced by his status as an exile and his situation on the fringes of the American film industry: their form was influenced by low budgets and limited technical resources. Despite these production constraints, the films stand out for their unusual consistency, which allows Haas to be labeled as an auteur of low-budget cinema. The chapter is part of a collective monograph published by the prestigious publishing house Les Éditions de l&apos;Œil on the occasion of the extensive retrospective of Columbia Pictures at the Locarno International Film Festival.

Název v anglickém jazyce

Hugo Haas at Columbia: Auteur on the Margins

Popis výsledku anglicky

The chapter focuses on four American films produced and directed by Hugo Haas that were distributed by Columbia Pictures between (Pickup, Strange Fascination, One Girl&apos;s Confession and Bait). The author relates them to Haas&apos;s film and theatre work in Czechoslovakia and describes their specific poetics, influenced by his status as an exile and his situation on the fringes of the American film industry: their form was influenced by low budgets and limited technical resources. Despite these production constraints, the films stand out for their unusual consistency, which allows Haas to be labeled as an auteur of low-budget cinema. The chapter is part of a collective monograph published by the prestigious publishing house Les Éditions de l&apos;Œil on the occasion of the extensive retrospective of Columbia Pictures at the Locarno International Film Festival.

Druh

C - Kapitola v odborné knize

CEP obor

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OECD FORD obor

60405 - Studies on Film, Radio and Television

Projekt

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Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2024

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název knihy nebo sborníku

The Lady with the Torch: Columbia Pictures (1929–1959)

ISBN

978-2-35137-376-7

Počet stran výsledku

14

Strana od-do

244-257

Počet stran knihy

288

Název nakladatele

Les Éditions de l’Œil

Místo vydání

Montreuil

Kód UT WoS kapitoly

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