Sociology of popular music in Czechoslovakia (1948–1989)

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61989592%3A15210%2F24%3A73628387" target="_blank" >RIV/61989592:15210/24:73628387 - isvavai.cz</a>

Výsledek na webu

<a href="https://www.cambridge.org/core/journals/popular-music/article/abs/sociology-of-popular-music-in-czechoslovakia-19481989/307506E0A42E22D3C9DEC1F7B3CB9905?utm_campaign=shareaholic&utm_medium=copy_link&utm_source=bookmark" target="_blank" >https://www.cambridge.org/core/journals/popular-music/article/abs/sociology-of-popular-music-in-czechoslovakia-19481989/307506E0A42E22D3C9DEC1F7B3CB9905?utm_campaign=shareaholic&utm_medium=copy_link&utm_source=bookmark</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.1017/S0261143024000461" target="_blank" >10.1017/S0261143024000461</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Sociology of popular music in Czechoslovakia (1948–1989)

Popis výsledku v původním jazyce

This article focuses on the history of the Czechoslovak sociology of popular music, which formed at the beginning of the 1960s. The article first examines the origins of thinking about ‘mass music genres’ in the Czech lands in the interwar period. It further discusses considerations of mass music genres and their audiences after World War II in light of the communist takeover in 1948, Stalinism of the 1950s and liberalisation of the 1960s. Finally, the article presents the situation after the occupation of Czechoslovakia by Warsaw Pact troops in 1968. Based on analysis of archival sources and original theoretical texts, hitherto unknown in the context of Anglophone scholarship, this article seeks to show how the specific political background of the Central European state behind the Iron Curtain determined the foundation, scholarly focus and social role of the sociology of popular music and how it differed from the situation in Western capitalist countries.

Název v anglickém jazyce

Sociology of popular music in Czechoslovakia (1948–1989)

Popis výsledku anglicky

This article focuses on the history of the Czechoslovak sociology of popular music, which formed at the beginning of the 1960s. The article first examines the origins of thinking about ‘mass music genres’ in the Czech lands in the interwar period. It further discusses considerations of mass music genres and their audiences after World War II in light of the communist takeover in 1948, Stalinism of the 1950s and liberalisation of the 1960s. Finally, the article presents the situation after the occupation of Czechoslovakia by Warsaw Pact troops in 1968. Based on analysis of archival sources and original theoretical texts, hitherto unknown in the context of Anglophone scholarship, this article seeks to show how the specific political background of the Central European state behind the Iron Curtain determined the foundation, scholarly focus and social role of the sociology of popular music and how it differed from the situation in Western capitalist countries.

Druh

J_imp - Článek v periodiku v databázi Web of Science

CEP obor

—

OECD FORD obor

60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)

Projekt

<a href="/cs/project/GA21-16304S" target="_blank" >GA21-16304S: Vývoj zkoumání populární hudby v českých zemích v kontextu středoevropské kultury a politiky od roku 1945</a><br>

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Rok uplatnění

2024

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Popular Music

ISSN

0261-1430

e-ISSN

1474-0095

Svazek periodika

43

Číslo periodika v rámci svazku

3

Stát vydavatele periodika

GB - Spojené království Velké Británie a Severního Irska

Počet stran výsledku

19

Strana od-do

362-380

Kód UT WoS článku

001411597800001

EID výsledku v databázi Scopus

2-s2.0-85217517298