International Festival of Pop Songs, ‘Bratislavská Lýra’ and the Challenges of Eastern European Music Internationalization

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61989592%3A15210%2F25%3A73632616" target="_blank" >RIV/61989592:15210/25:73632616 - isvavai.cz</a>

Výsledek na webu

<a href="https://journal.equinoxpub.com/PMH/issue/view/2644" target="_blank" >https://journal.equinoxpub.com/PMH/issue/view/2644</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.1558/pomh.32697" target="_blank" >10.1558/pomh.32697</a>

Jazyk výsledku

angličtina

Název v původním jazyce

International Festival of Pop Songs, ‘Bratislavská Lýra’ and the Challenges of Eastern European Music Internationalization

Popis výsledku v původním jazyce

This article deals with the functioning of Eastern European song festivals, which emerged duringthe boom of European festival culture in the 1960s. It focuses on one of the most importantEastern European shows—the International Festival of Pop Songs ‘Bratislavská Lýra’—which wasestablished in Czechoslovakia in 1966, with particular attention to the issues of internationalizationand international exchange of Eastern European pop music mediated by the festivals.Based on an analysis of primary sources, the organization of Lýra is discussed, along with itsinternational publicity, economic background and artistic orientation as well as the culturalpoliticalcircumstances that determined its basic conception, especially regarding the abandonmentof the Czechoslovak pro-Western course and the reassertion of the pro-Soviet policyafter the occupation of the country in 1968. The possibilities and distinctiveness of the musicscene of the European socialist camp are also considered.

Název v anglickém jazyce

International Festival of Pop Songs, ‘Bratislavská Lýra’ and the Challenges of Eastern European Music Internationalization

Popis výsledku anglicky

This article deals with the functioning of Eastern European song festivals, which emerged duringthe boom of European festival culture in the 1960s. It focuses on one of the most importantEastern European shows—the International Festival of Pop Songs ‘Bratislavská Lýra’—which wasestablished in Czechoslovakia in 1966, with particular attention to the issues of internationalizationand international exchange of Eastern European pop music mediated by the festivals.Based on an analysis of primary sources, the organization of Lýra is discussed, along with itsinternational publicity, economic background and artistic orientation as well as the culturalpoliticalcircumstances that determined its basic conception, especially regarding the abandonmentof the Czechoslovak pro-Western course and the reassertion of the pro-Soviet policyafter the occupation of the country in 1968. The possibilities and distinctiveness of the musicscene of the European socialist camp are also considered.

Druh

J_SC - Článek v periodiku v databázi SCOPUS

CEP obor

—

OECD FORD obor

60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)

Projekt

<a href="/cs/project/GA24-11271S" target="_blank" >GA24-11271S: Československá, maďarská a polská populární hudba v nadnárodním kontextu: mechanismy a objekty hudební výměny v období státního socialismu</a><br>

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Rok uplatnění

2025

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Popular Music History

ISSN

1740-7133

e-ISSN

1743-1646

Svazek periodika

17

Číslo periodika v rámci svazku

1

Stát vydavatele periodika

GB - Spojené království Velké Británie a Severního Irska

Počet stran výsledku

21

Strana od-do

23-43

Kód UT WoS článku

—

EID výsledku v databázi Scopus

2-s2.0-105029644296