Decolonisation as a Way forward within Museum Culture and beyond
Identifikátory výsledku
Kód výsledku v IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61989592%3A15410%2F25%3A73623582" target="_blank" >RIV/61989592:15410/25:73623582 - isvavai.cz</a>
Výsledek na webu
<a href="https://www.insea.org/insea-publications-2-2/" target="_blank" >https://www.insea.org/insea-publications-2-2/</a>
DOI - Digital Object Identifier
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Alternativní jazyky
Jazyk výsledku
angličtina
Název v původním jazyce
Decolonisation as a Way forward within Museum Culture and beyond
Popis výsledku v původním jazyce
The paper deals with one of the key phenomena of the contemporary museum culture, which is decolonisation. In general, it constitutes a necessary instrument by which to reflect on how the global colonial system has shaped the today's world, and has influenced the way we perceive ourselves and other cultures.Memory institutions have played an important part in global colonialism, and ethnographic museums in particular represented an instrument of imperial and colonial identity. Today, cultural and educational institutions aware of their role in perpetuating and recreating an identity on individual, local and global level are taking various steps towards reflecting on their colonial past.Considering the term colonialism without colonies, it follows that decolonisation is relevant also for those countries which have never had colonies as it shows the way they participated in the system of economic and cultural transfers of the past while adopting the Eurocentric and imperialist view of other cultures and otherness as a whole. As an example, the paper reflects on the current exhibition displayed in the Náprstek Museum in Prague that presents Emil Holub, a 19th century Czech explorer, as perceived and interpreted through the optics of the 21st century.
Název v anglickém jazyce
Decolonisation as a Way forward within Museum Culture and beyond
Popis výsledku anglicky
The paper deals with one of the key phenomena of the contemporary museum culture, which is decolonisation. In general, it constitutes a necessary instrument by which to reflect on how the global colonial system has shaped the today's world, and has influenced the way we perceive ourselves and other cultures.Memory institutions have played an important part in global colonialism, and ethnographic museums in particular represented an instrument of imperial and colonial identity. Today, cultural and educational institutions aware of their role in perpetuating and recreating an identity on individual, local and global level are taking various steps towards reflecting on their colonial past.Considering the term colonialism without colonies, it follows that decolonisation is relevant also for those countries which have never had colonies as it shows the way they participated in the system of economic and cultural transfers of the past while adopting the Eurocentric and imperialist view of other cultures and otherness as a whole. As an example, the paper reflects on the current exhibition displayed in the Náprstek Museum in Prague that presents Emil Holub, a 19th century Czech explorer, as perceived and interpreted through the optics of the 21st century.
Klasifikace
Druh
D - Stať ve sborníku
CEP obor
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OECD FORD obor
50301 - Education, general; including training, pedagogy, didactics [and education systems]
Návaznosti výsledku
Projekt
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Návaznosti
S - Specificky vyzkum na vysokych skolach
Ostatní
Rok uplatnění
2025
Kód důvěrnosti údajů
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů
Údaje specifické pro druh výsledku
Název statě ve sborníku
'Fault Lines' Proceedings from the InSEA World Congress 2023
ISBN
978-989-35-6848-4
ISSN
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e-ISSN
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Počet stran výsledku
11
Strana od-do
522-532
Název nakladatele
InSEA Publications
Místo vydání
Viseu
Místo konání akce
Canakkale, Turecko
Datum konání akce
4. 9. 2023
Typ akce podle státní příslušnosti
WRD - Celosvětová akce
Kód UT WoS článku
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