Coppice woods and pollard trees in the visual arts
Identifikátory výsledku
Kód výsledku v IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F62156489%3A43410%2F16%3A43913120" target="_blank" >RIV/62156489:43410/16:43913120 - isvavai.cz</a>
Výsledek na webu
<a href="https://doi.org/10.1515/jlecol-2016-0010" target="_blank" >https://doi.org/10.1515/jlecol-2016-0010</a>
DOI - Digital Object Identifier
<a href="http://dx.doi.org/10.1515/jlecol-2016-0010" target="_blank" >10.1515/jlecol-2016-0010</a>
Alternativní jazyky
Jazyk výsledku
angličtina
Název v původním jazyce
Coppice woods and pollard trees in the visual arts
Popis výsledku v původním jazyce
The sprouting capacity of some broadleaves has been used for their regeneration since ancient times. Often concurrently with taking advantage of sprouting stools, the trees used to be shaped also by pruning their stems, namely on pasturelands and in grazing forests. The activity of woodcutters and shepherds was obviously rather common in warmer climates with broadleaved stands because coppice and pollard trees appear relatively often in the visual arts from ancient works through the period if the Italian and German Renaissance up to the romantic and realistic landscape painting of the 19th century overlapping into the 20th century. For centuries, most frequently illustrated in European and Czech paintings have been pollard willows (Salix spp.). Other coppice and pollard tree species identified in paintings are oaks (Quercus spp.), hornbeam (Carpinus betulus), European beech (Fagus sylvatica), European chestnut (Castanea sativa), and rarely other species, too. Artists apparently often used bizarrely shaped woods to increase the dramatic atmosphere of their landscape sceneries as well as figural compositions, and the coppice and pollard trees had certainly also a symbolic meaning in some of their works.
Název v anglickém jazyce
Coppice woods and pollard trees in the visual arts
Popis výsledku anglicky
The sprouting capacity of some broadleaves has been used for their regeneration since ancient times. Often concurrently with taking advantage of sprouting stools, the trees used to be shaped also by pruning their stems, namely on pasturelands and in grazing forests. The activity of woodcutters and shepherds was obviously rather common in warmer climates with broadleaved stands because coppice and pollard trees appear relatively often in the visual arts from ancient works through the period if the Italian and German Renaissance up to the romantic and realistic landscape painting of the 19th century overlapping into the 20th century. For centuries, most frequently illustrated in European and Czech paintings have been pollard willows (Salix spp.). Other coppice and pollard tree species identified in paintings are oaks (Quercus spp.), hornbeam (Carpinus betulus), European beech (Fagus sylvatica), European chestnut (Castanea sativa), and rarely other species, too. Artists apparently often used bizarrely shaped woods to increase the dramatic atmosphere of their landscape sceneries as well as figural compositions, and the coppice and pollard trees had certainly also a symbolic meaning in some of their works.
Klasifikace
Druh
J<sub>SC</sub> - Článek v periodiku v databázi SCOPUS
CEP obor
—
OECD FORD obor
40102 - Forestry
Návaznosti výsledku
Projekt
<a href="/cs/project/DF13P01OVV015" target="_blank" >DF13P01OVV015: Starobylé výmladkové lesy, jejich význam a udržitelnost v krajině</a><br>
Návaznosti
P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)
Ostatní
Rok uplatnění
2016
Kód důvěrnosti údajů
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů
Údaje specifické pro druh výsledku
Název periodika
Journal of Landscape Ecology
ISSN
1803-2427
e-ISSN
—
Svazek periodika
9
Číslo periodika v rámci svazku
2
Stát vydavatele periodika
CZ - Česká republika
Počet stran výsledku
12
Strana od-do
97-108
Kód UT WoS článku
—
EID výsledku v databázi Scopus
2-s2.0-85018690059