Bodies? On? Stage? Human Play of Forced Entertainment

Kód výsledku v IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F62690094%3A18440%2F16%3A50004847" target="_blank" >RIV/62690094:18440/16:50004847 - isvavai.cz</a>
Výsledek na webu
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DOI - Digital Object Identifier
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Jazyk výsledku
angličtina
Název v původním jazyce
Bodies? On? Stage? Human Play of Forced Entertainment
Popis výsledku v původním jazyce
The present paper examines the 2012 performance The Coming Storm devised by the renowned British experimental theatre troupe Forced Entertainment. The epistolary and docufictional nature of the analysis mirrors the company's confessional mode of non-matrixed performing, accentuating the authentic stylization of performers. The conclusions suggest that the binary divison of art and life in the present production are blurred, which leads to the deterritorializing effect of the performance and surfacing of the fragile and authentic humanity.
Název v anglickém jazyce
Bodies? On? Stage? Human Play of Forced Entertainment
Popis výsledku anglicky
The present paper examines the 2012 performance The Coming Storm devised by the renowned British experimental theatre troupe Forced Entertainment. The epistolary and docufictional nature of the analysis mirrors the company's confessional mode of non-matrixed performing, accentuating the authentic stylization of performers. The conclusions suggest that the binary divison of art and life in the present production are blurred, which leads to the deterritorializing effect of the performance and surfacing of the fragile and authentic humanity.

Rok uplatnění
2016
Kód důvěrnosti údajů
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

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