The collector Jindřich Waldes and the curator Jan Hofman: One museum, two approaches

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F62690094%3A18460%2F23%3A50021225" target="_blank" >RIV/62690094:18460/23:50021225 - isvavai.cz</a>

Výsledek na webu

<a href="https://www.muzeologia.sk/anot_3_23_en.htm" target="_blank" >https://www.muzeologia.sk/anot_3_23_en.htm</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.46284/mkd.2023.11.3.4" target="_blank" >10.46284/mkd.2023.11.3.4</a>

Jazyk výsledku

angličtina

Název v původním jazyce

The collector Jindřich Waldes and the curator Jan Hofman: One museum, two approaches

Popis výsledku v původním jazyce

The study deals with an aspect not considered until now in relation to the Waldes Museum of Buttons and Fasteners, existing in Prague-Vršovice between 1916 and 1945, founded at the initiative of Prague industrialist, collector, and patron of the arts Jindřich Waldes. Alongside Waldes, the other key figure was art historian, conservationist and museum curator Jan Ješek Hofman, whose work between 1916 and 1919 in many ways achieved the plan to build a collection and research institution. What was behind this outwardly-representative, functioning private institution and how did the relationship between Waldes, an enthusiastic and affluent private collector, and Hofman, the expert tasked with putting his ideas in place at a professional level, actually evolve? The study aims to present an interpretation of the relationship by analysing preserved archival materials and period publications. It also represents the Waldes Museum as a remarkable museum experiment.

Název v anglickém jazyce

The collector Jindřich Waldes and the curator Jan Hofman: One museum, two approaches

Popis výsledku anglicky

The study deals with an aspect not considered until now in relation to the Waldes Museum of Buttons and Fasteners, existing in Prague-Vršovice between 1916 and 1945, founded at the initiative of Prague industrialist, collector, and patron of the arts Jindřich Waldes. Alongside Waldes, the other key figure was art historian, conservationist and museum curator Jan Ješek Hofman, whose work between 1916 and 1919 in many ways achieved the plan to build a collection and research institution. What was behind this outwardly-representative, functioning private institution and how did the relationship between Waldes, an enthusiastic and affluent private collector, and Hofman, the expert tasked with putting his ideas in place at a professional level, actually evolve? The study aims to present an interpretation of the relationship by analysing preserved archival materials and period publications. It also represents the Waldes Museum as a remarkable museum experiment.

Druh

J_SC - Článek v periodiku v databázi SCOPUS

CEP obor

—

OECD FORD obor

60101 - History (history of science and technology to be 6.3, history of specific sciences to be under the respective headings)

Projekt

—

Návaznosti

S - Specificky vyzkum na vysokych skolach

Rok uplatnění

2023

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Muzeológia a kultúrne dedičstvo

ISSN

1339-2204

e-ISSN

2453-9759

Svazek periodika

11

Číslo periodika v rámci svazku

3

Stát vydavatele periodika

SK - Slovenská republika

Počet stran výsledku

18

Strana od-do

53-70

Kód UT WoS článku

001090424600004

EID výsledku v databázi Scopus

2-s2.0-85174050588