Music in Bohemia around 1400: Crossroads of Traditions

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F67985921%3A_____%2F19%3A00511760" target="_blank" >RIV/67985921:_____/19:00511760 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Music in Bohemia around 1400: Crossroads of Traditions

Popis výsledku v původním jazyce

The musical culture of the Bohemian Lands before 1420 is characterized by a formidable variety of genres, musical forms, and sources of inspiration. Manuscript no. 42 from the library of the Cistercian Abbey of Vyšší Brod provides a unique insight into this musical environment. Its repertoire exemplifies the seminal role of late medieval chant as well as the beginnings of trends fully developed later in the 15th century. The presented papers focused on the phenomena for which manuscript no. 42 is the earliest and irreplaceable source: song traditions and late medieval chant. Both musical worlds adopted a fashion of rhythmizing monophonic melodies – cantus fractus – and setting to polyphony which presented new challenges for the local composers. All contributions asked the question of transfers of musical repertoire within the Central European cultural space. The conference was opened by Hana Vlhová-Wörner and Jan Ciglbauer and their introductory papers on the late chant and song traditions in Bohemia around 1400, respectively. There were mostly hymnological contributions in the programme: Benedicamus tropes (Konstantin Voigt, Stefan Rosmer) and encounters of Latin and German traditions (Gisela Kornrumpf, Ute Evers). The second focus point was the phenomenon of cantus fractus from different perspectives (Bernhold Schmid, Lenka Hlávková). The presentation by Franz Körndle showed how challenging the introduction of musical instruments, especially the treatment of rhythm, was for the authors in the 15th century. To complete the picture of Bohemian tradition around 1400, Charles Brewer presented the tradition of the motet Veni sancte Spiritus – Da gaudiorum – Veni sancte and Rhianydd Hallas shared some aspects of the Visitation office by John of Jenstein.

Název v anglickém jazyce

Music in Bohemia around 1400: Crossroads of Traditions

Popis výsledku anglicky

The musical culture of the Bohemian Lands before 1420 is characterized by a formidable variety of genres, musical forms, and sources of inspiration. Manuscript no. 42 from the library of the Cistercian Abbey of Vyšší Brod provides a unique insight into this musical environment. Its repertoire exemplifies the seminal role of late medieval chant as well as the beginnings of trends fully developed later in the 15th century. The presented papers focused on the phenomena for which manuscript no. 42 is the earliest and irreplaceable source: song traditions and late medieval chant. Both musical worlds adopted a fashion of rhythmizing monophonic melodies – cantus fractus – and setting to polyphony which presented new challenges for the local composers. All contributions asked the question of transfers of musical repertoire within the Central European cultural space. The conference was opened by Hana Vlhová-Wörner and Jan Ciglbauer and their introductory papers on the late chant and song traditions in Bohemia around 1400, respectively. There were mostly hymnological contributions in the programme: Benedicamus tropes (Konstantin Voigt, Stefan Rosmer) and encounters of Latin and German traditions (Gisela Kornrumpf, Ute Evers). The second focus point was the phenomenon of cantus fractus from different perspectives (Bernhold Schmid, Lenka Hlávková). The presentation by Franz Körndle showed how challenging the introduction of musical instruments, especially the treatment of rhythm, was for the authors in the 15th century. To complete the picture of Bohemian tradition around 1400, Charles Brewer presented the tradition of the motet Veni sancte Spiritus – Da gaudiorum – Veni sancte and Rhianydd Hallas shared some aspects of the Visitation office by John of Jenstein.

Druh

M - Uspořádání konference

CEP obor

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OECD FORD obor

60401 - Arts, Art history

Projekt

<a href="/cs/project/GX19-28306X" target="_blank" >GX19-28306X: Staré mýty, nová fakta: české země v centru hudebního dění 15. století</a><br>

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2019

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Místo konání akce

Prague

Stát konání akce

CZ - Česká republika

Datum zahájení akce

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Datum ukončení akce

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Celkový počet účastníků

14

Počet zahraničních účastníků

9

Typ akce podle státní přísl. účastníků

WRD - Celosvětová akce