Vše

Co hledáte?

Vše
Projekty
Výsledky výzkumu
Subjekty

Rychlé hledání

  • Projekty podpořené TA ČR
  • Významné projekty
  • Projekty s nejvyšší státní podporou
  • Aktuálně běžící projekty

Chytré vyhledávání

  • Takto najdu konkrétní +slovo
  • Takto z výsledků -slovo zcela vynechám
  • “Takto můžu najít celou frázi”

Benedicamus Domino tropes in the monastery of Benedictine nuns at St George’s, Prague

Identifikátory výsledku

  • Kód výsledku v IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F67985921%3A_____%2F22%3A00570670" target="_blank" >RIV/67985921:_____/22:00570670 - isvavai.cz</a>

  • Výsledek na webu

    <a href="https://doi.org/10.1093/em/caac053" target="_blank" >https://doi.org/10.1093/em/caac053</a>

  • DOI - Digital Object Identifier

    <a href="http://dx.doi.org/10.1093/em/caac053" target="_blank" >10.1093/em/caac053</a>

Alternativní jazyky

  • Jazyk výsledku

    angličtina

  • Název v původním jazyce

    Benedicamus Domino tropes in the monastery of Benedictine nuns at St George’s, Prague

  • Popis výsledku v původním jazyce

    Within the rich spectrum of musical documents from medieval Bohemia, the corpus of tropes that survives in manuscripts from St George’s convent at Prague Castle is perhaps the most important. Forty-two Benedicamus Domino tropes appear in manuscripts from the monastery – one of the richest and most important female foundations in Central Europe, with a small community of nuns from noble families – most of them compiled at the end of the 13th and the first decades of the 14th centuries. The collection includes Benedicamus tropes that were circulating in the wider Central European territory, tropes that had their origins in the west and for which Prague constituted one of the furthest destinations within their dissemination, and a significant number of chants survive only in manuscripts from St George’s and may have had their origins in this milieu. These Benedicamus tropes exhibit a striking variety of forms and richness in their melodic material: a number of polyphonic tropes employ a Stimmtausch technique, others are wholly structured as strophic songs with or without refrains. Many of the trope texts indicate that they were meant to be sung by both male and female communities at St George’s, and their appearance in books with private prayers suggests that they may also have served an educational purpose.

  • Název v anglickém jazyce

    Benedicamus Domino tropes in the monastery of Benedictine nuns at St George’s, Prague

  • Popis výsledku anglicky

    Within the rich spectrum of musical documents from medieval Bohemia, the corpus of tropes that survives in manuscripts from St George’s convent at Prague Castle is perhaps the most important. Forty-two Benedicamus Domino tropes appear in manuscripts from the monastery – one of the richest and most important female foundations in Central Europe, with a small community of nuns from noble families – most of them compiled at the end of the 13th and the first decades of the 14th centuries. The collection includes Benedicamus tropes that were circulating in the wider Central European territory, tropes that had their origins in the west and for which Prague constituted one of the furthest destinations within their dissemination, and a significant number of chants survive only in manuscripts from St George’s and may have had their origins in this milieu. These Benedicamus tropes exhibit a striking variety of forms and richness in their melodic material: a number of polyphonic tropes employ a Stimmtausch technique, others are wholly structured as strophic songs with or without refrains. Many of the trope texts indicate that they were meant to be sung by both male and female communities at St George’s, and their appearance in books with private prayers suggests that they may also have served an educational purpose.

Klasifikace

  • Druh

    J<sub>imp</sub> - Článek v periodiku v databázi Web of Science

  • CEP obor

  • OECD FORD obor

    60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)

Návaznosti výsledku

  • Projekt

    <a href="/cs/project/GX19-28306X" target="_blank" >GX19-28306X: Staré mýty, nová fakta: české země v centru hudebního dění 15. století</a><br>

  • Návaznosti

    I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Ostatní

  • Rok uplatnění

    2022

  • Kód důvěrnosti údajů

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Údaje specifické pro druh výsledku

  • Název periodika

    Early Music

  • ISSN

    0306-1078

  • e-ISSN

  • Svazek periodika

    50

  • Číslo periodika v rámci svazku

    4

  • Stát vydavatele periodika

    GB - Spojené království Velké Británie a Severního Irska

  • Počet stran výsledku

    16

  • Strana od-do

    419-434

  • Kód UT WoS článku

    000958733100001

  • EID výsledku v databázi Scopus

    2-s2.0-85162023133