Bohemian and English Painting in the Last Decades of the Fourteenth Century: Tracing the Bohemian Influence

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F67985921%3A_____%2F23%3A00578089" target="_blank" >RIV/67985921:_____/23:00578089 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Bohemian and English Painting in the Last Decades of the Fourteenth Century: Tracing the Bohemian Influence

Popis výsledku v původním jazyce

In 1984, Amanda Simpson published a dissertation thesis The Connections between English and Bohemian Painting during the Second Half of the 14th Century. On the basis of stylistic analysis and wider comparisons, Simpson concluded that she was not able to trace any Bohemian elements in the English book and panel painting originated after arrival of Anne of Bohemia in England. However, a decade later Hana Hlaváčková suggested new dating of the Bible of Wenceslas IV, a pivotal Bohemian manuscript of the late 14th century. Nowadays, the dating into late 1370s or earlier 1380s is widely accepted. This fact reopened discussions on the Bohemian influence on English art after Richard’s marriage to Anne. Apparently, the dramatic shift in dating of the Wenceslas’ Bible has brought Queen Anne back on the stage in the role of a mediator of the Bohemian soft style into English environment. In my paper I will first target the term of the Bohemian soft style, its sources and development. In the next step, I will focus on the works of art which can be connected with the royal court of Richard II. Following the results of the detailed formal analysis as well as stylistic comparison, I will set the East Anglian art production at the end of the 14th century in order to confront the East Anglian synthesis of styles for the so-called Bohemian influence.

Název v anglickém jazyce

Bohemian and English Painting in the Last Decades of the Fourteenth Century: Tracing the Bohemian Influence

Popis výsledku anglicky

In 1984, Amanda Simpson published a dissertation thesis The Connections between English and Bohemian Painting during the Second Half of the 14th Century. On the basis of stylistic analysis and wider comparisons, Simpson concluded that she was not able to trace any Bohemian elements in the English book and panel painting originated after arrival of Anne of Bohemia in England. However, a decade later Hana Hlaváčková suggested new dating of the Bible of Wenceslas IV, a pivotal Bohemian manuscript of the late 14th century. Nowadays, the dating into late 1370s or earlier 1380s is widely accepted. This fact reopened discussions on the Bohemian influence on English art after Richard’s marriage to Anne. Apparently, the dramatic shift in dating of the Wenceslas’ Bible has brought Queen Anne back on the stage in the role of a mediator of the Bohemian soft style into English environment. In my paper I will first target the term of the Bohemian soft style, its sources and development. In the next step, I will focus on the works of art which can be connected with the royal court of Richard II. Following the results of the detailed formal analysis as well as stylistic comparison, I will set the East Anglian art production at the end of the 14th century in order to confront the East Anglian synthesis of styles for the so-called Bohemian influence.

Druh

C - Kapitola v odborné knize

CEP obor

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OECD FORD obor

60401 - Arts, Art history

Projekt

<a href="/cs/project/GA19-07473S" target="_blank" >GA19-07473S: Jan Lucemburský a Bona Lucemburská jako mecenáši Guillauma de Machaut. Intence a recepce Machautova díla v historickém kontextu</a><br>

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2023

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název knihy nebo sborníku

England and Bohemia in the Age of Chaucer

ISBN

978-1-84384-579-9

Počet stran výsledku

19

Strana od-do

181-199

Počet stran knihy

302

Název nakladatele

Brewer

Místo vydání

Cambridge

Kód UT WoS kapitoly

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