Beyond Ideology: Representations of the Baroque in Socialist Czechoslovakia As Seen Through the Media

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F67985955%3A_____%2F16%3A00467392" target="_blank" >RIV/67985955:_____/16:00467392 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Beyond Ideology: Representations of the Baroque in Socialist Czechoslovakia As Seen Through the Media

Popis výsledku v původním jazyce

This paper focusses on representations of the Baroque in Czechoslovakia under state socialism. In this period, policies and politics had a huge impact on the ideological discourses that determined how the Baroque was to be officially interpreted. However, the communist regime and its ideology were not the only determinants of how the Baroque was evaluated. In fact, mechanisms of cultural remembrance, divergent strategies of different mass media, adopting their representations of the Baroque to their respective algorithms, mutual influences from within Czechoslovakia and from abroad as well as the urge to propagate, on an international scale, the touristic qualities of Czechoslovakia and her cultural heritage all had their share in shaping diverging representations of the Baroque. Hence the study analyses mnemonic, functional and medial aspects of how the Baroque was perceived in the public sphere and shows how they accorded, respectively clashed with government ideologies and politics.

Název v anglickém jazyce

Beyond Ideology: Representations of the Baroque in Socialist Czechoslovakia As Seen Through the Media

Popis výsledku anglicky

This paper focusses on representations of the Baroque in Czechoslovakia under state socialism. In this period, policies and politics had a huge impact on the ideological discourses that determined how the Baroque was to be officially interpreted. However, the communist regime and its ideology were not the only determinants of how the Baroque was evaluated. In fact, mechanisms of cultural remembrance, divergent strategies of different mass media, adopting their representations of the Baroque to their respective algorithms, mutual influences from within Czechoslovakia and from abroad as well as the urge to propagate, on an international scale, the touristic qualities of Czechoslovakia and her cultural heritage all had their share in shaping diverging representations of the Baroque. Hence the study analyses mnemonic, functional and medial aspects of how the Baroque was perceived in the public sphere and shows how they accorded, respectively clashed with government ideologies and politics.

Druh

J_x - Nezařazeno - Článek v odborném periodiku (Jimp, Jsc a Jost)

CEP obor

AB - Dějiny

OECD FORD obor

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Projekt

<a href="/cs/project/GB14-37038G" target="_blank" >GB14-37038G: Mezi renesancí a barokem: Filosofie a vědění v českých zemích a jejich širší evropský kontext</a><br>

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2016

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Journal of Art Historiography

ISSN

2042-4752

e-ISSN

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Svazek periodika

8

Číslo periodika v rámci svazku

15 December

Stát vydavatele periodika

GB - Spojené království Velké Británie a Severního Irska

Počet stran výsledku

23

Strana od-do

1-23

Kód UT WoS článku

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EID výsledku v databázi Scopus

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