Marian Laments From Medieval Bohemia: Performing Suffering and Redemption Through Compassion

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F67985955%3A_____%2F21%3A00549536" target="_blank" >RIV/67985955:_____/21:00549536 - isvavai.cz</a>

Výsledek na webu

<a href="https://doi.org/10.1484/J.EMD.5.125678" target="_blank" >https://doi.org/10.1484/J.EMD.5.125678</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.1484/J.EMD.5.125678" target="_blank" >10.1484/J.EMD.5.125678</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Marian Laments From Medieval Bohemia: Performing Suffering and Redemption Through Compassion

Popis výsledku v původním jazyce

The paper presents several items from the Bohemian corpus of Marian laments from the fourteenth century that has not been yet introduced to international scholarly debate concerning the genre. The Latin planctus Mariae in the Passionale of Abbess Kunigunde, Old Czech Lament of Virgin Mary in the Manuscript from Hradec Králové, and two shorter Old Czech verse laments, Šafařík Planct and Planct from Roudnice, are discussed in the context of medieval affective piety and with regard to their performative aspects, i.e. various forms of their presentation and reception (singing, declamation, theatrical[ized] performance) and the physical handling of the manuscripts they were originally part of, such as touching or kissing the texts and pictures that accompanied them on the foils.

Název v anglickém jazyce

Marian Laments From Medieval Bohemia: Performing Suffering and Redemption Through Compassion

Popis výsledku anglicky

The paper presents several items from the Bohemian corpus of Marian laments from the fourteenth century that has not been yet introduced to international scholarly debate concerning the genre. The Latin planctus Mariae in the Passionale of Abbess Kunigunde, Old Czech Lament of Virgin Mary in the Manuscript from Hradec Králové, and two shorter Old Czech verse laments, Šafařík Planct and Planct from Roudnice, are discussed in the context of medieval affective piety and with regard to their performative aspects, i.e. various forms of their presentation and reception (singing, declamation, theatrical[ized] performance) and the physical handling of the manuscripts they were originally part of, such as touching or kissing the texts and pictures that accompanied them on the foils.

Druh

J_SC - Článek v periodiku v databázi SCOPUS

CEP obor

—

OECD FORD obor

60206 - Specific literatures

Projekt

—

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2021

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

European Medieval Drama

ISSN

1378-2274

e-ISSN

2031-0064

Svazek periodika

—

Číslo periodika v rámci svazku

25

Stát vydavatele periodika

BE - Belgické království

Počet stran výsledku

26

Strana od-do

65-90

Kód UT WoS článku

—

EID výsledku v databázi Scopus

2-s2.0-85126247340