Sonic Environments and the Phenomenological Dynamic of Passivity and Activity

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F67985955%3A_____%2F22%3A00565079" target="_blank" >RIV/67985955:_____/22:00565079 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Sonic Environments and the Phenomenological Dynamic of Passivity and Activity

Popis výsledku v původním jazyce

The question of the sonic environment is one of those that I focus on the most within the framework of our grant project. The basic orientation of my questioning is a phenomenological approach to the sonic environment. So if I had to sum up the question I am dealing with in one sentence, it would be what contribution a phenomenological perspective can bring to the investigation of the sonic environment and soundscape. In my presentation, I want to try to show how the opening of the sonic environment as a specific field guided by a phenomenological perspective can look like. I will show this through the passive-active dynamics of the sonic environment. This dynamics is able to capture the richness of the sonic environment. In my presentation I will show the Husserlian roots of this dynamics, as well as the example from art, Christina Kubisch’s long-term project called Electric Walks.

Název v anglickém jazyce

Sonic Environments and the Phenomenological Dynamic of Passivity and Activity

Popis výsledku anglicky

The question of the sonic environment is one of those that I focus on the most within the framework of our grant project. The basic orientation of my questioning is a phenomenological approach to the sonic environment. So if I had to sum up the question I am dealing with in one sentence, it would be what contribution a phenomenological perspective can bring to the investigation of the sonic environment and soundscape. In my presentation, I want to try to show how the opening of the sonic environment as a specific field guided by a phenomenological perspective can look like. I will show this through the passive-active dynamics of the sonic environment. This dynamics is able to capture the richness of the sonic environment. In my presentation I will show the Husserlian roots of this dynamics, as well as the example from art, Christina Kubisch’s long-term project called Electric Walks.

Druh

O - Ostatní výsledky

CEP obor

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OECD FORD obor

60301 - Philosophy, History and Philosophy of science and technology

Projekt

<a href="/cs/project/GA20-27355S" target="_blank" >GA20-27355S: Fenomenologická zkoumání zvukových prostředí</a><br>

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2022

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů