The Painting of a Coat of Arms on Shields as a Dispute Between Painters and Shield-makers

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F67985955%3A_____%2F24%3A00586005" target="_blank" >RIV/67985955:_____/24:00586005 - isvavai.cz</a>

Výsledek na webu

<a href="https://doi.org/10.5281/zenodo.10865563" target="_blank" >https://doi.org/10.5281/zenodo.10865563</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.5281/zenodo.10865563" target="_blank" >10.5281/zenodo.10865563</a>

Jazyk výsledku

angličtina

Název v původním jazyce

The Painting of a Coat of Arms on Shields as a Dispute Between Painters and Shield-makers

Popis výsledku v původním jazyce

The present paper deals with the diversity between the crafts of painting and shield making, which overlapped in terms and final products. The paper follows the question of the emergence of armorial signs and the craft of shield-makers. The primary sources for the study are the statutes of the two mentioned craft associations and guilds from Prague, Florence, Siena and Vienna. Treaties about heraldry can help understand artisan practice, especially Bartolus de Sassoferrato’s De insigniis et armis, which deals with armorial practice and law. By comparing these materials, the limits of a hypothesis are defined from which a general idea of the functioning of the workshops of painters and shield-makers can be drawn. The study is focused mainly on the Prague context in which painters and shield-makers participated and seeks the limits of hypotheses within the framework of European examples. Furthermore, we are looking for commonalities and dissimilarities that lead to a better understanding of the general phenomenon of producing and painting arms - whether on shields or other media.

Název v anglickém jazyce

The Painting of a Coat of Arms on Shields as a Dispute Between Painters and Shield-makers

Popis výsledku anglicky

The present paper deals with the diversity between the crafts of painting and shield making, which overlapped in terms and final products. The paper follows the question of the emergence of armorial signs and the craft of shield-makers. The primary sources for the study are the statutes of the two mentioned craft associations and guilds from Prague, Florence, Siena and Vienna. Treaties about heraldry can help understand artisan practice, especially Bartolus de Sassoferrato’s De insigniis et armis, which deals with armorial practice and law. By comparing these materials, the limits of a hypothesis are defined from which a general idea of the functioning of the workshops of painters and shield-makers can be drawn. The study is focused mainly on the Prague context in which painters and shield-makers participated and seeks the limits of hypotheses within the framework of European examples. Furthermore, we are looking for commonalities and dissimilarities that lead to a better understanding of the general phenomenon of producing and painting arms - whether on shields or other media.

Druh

D - Stať ve sborníku

CEP obor

—

OECD FORD obor

60101 - History (history of science and technology to be 6.3, history of specific sciences to be under the respective headings)

Projekt

—

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2024

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název statě ve sborníku

Proceedings of the Postgraduate and Early Career Conference in Medieval Archaeology (Prague 2022)

ISBN

978-83-965997-2-8

ISSN

—

e-ISSN

—

Počet stran výsledku

23

Strana od-do

129-151

Název nakladatele

Yellow Point Publications

Místo vydání

Wroclaw

Místo konání akce

Prague

Datum konání akce

11. 5. 2022

Typ akce podle státní příslušnosti

EUR - Evropská akce

Kód UT WoS článku

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