Phenomenological Investigations of Sonic Environments

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F67985955%3A_____%2F24%3A00599802" target="_blank" >RIV/67985955:_____/24:00599802 - isvavai.cz</a>

Výsledek na webu

<a href="https://doi.org/10.1007/978-3-031-65921-8" target="_blank" >https://doi.org/10.1007/978-3-031-65921-8</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.1007/978-3-031-65921-8" target="_blank" >10.1007/978-3-031-65921-8</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Phenomenological Investigations of Sonic Environments

Popis výsledku v původním jazyce

Phenomenological approaches to sounds, noises, voices, and music traditionally privilege methods that center visual perception. This book aims not only to phenomenologically describe sonic environments, but also to develop an audition-centered phenomenological methodology to enable this task. “Sonic environment” is this book’s term for the acoustic shape of human life-environment, which is multisensory and does not exclude visual, tactile, olfactory, and gustatory sensations connected with sounds or their sources. Sonic environments (in so far as they are lived) are not composed of separate sounds, but created by “sonic phenomena” – i.e., lived (real or imagined) experiences with sounds, noises, voices, and music. Just as phenomenology traditionally privileges the visual over the audio, phenomenology thematically prefers listening to a voice or a music over less articulated sonic experiences (i.e., sounds without an obvious meaning, melody, or rhythm). In this respect, the book not only provides missing phenomenological descriptions of sonic environments, but also redefines phenomenological methodology with respect to acoustic perception.

Název v anglickém jazyce

Phenomenological Investigations of Sonic Environments

Popis výsledku anglicky

Phenomenological approaches to sounds, noises, voices, and music traditionally privilege methods that center visual perception. This book aims not only to phenomenologically describe sonic environments, but also to develop an audition-centered phenomenological methodology to enable this task. “Sonic environment” is this book’s term for the acoustic shape of human life-environment, which is multisensory and does not exclude visual, tactile, olfactory, and gustatory sensations connected with sounds or their sources. Sonic environments (in so far as they are lived) are not composed of separate sounds, but created by “sonic phenomena” – i.e., lived (real or imagined) experiences with sounds, noises, voices, and music. Just as phenomenology traditionally privileges the visual over the audio, phenomenology thematically prefers listening to a voice or a music over less articulated sonic experiences (i.e., sounds without an obvious meaning, melody, or rhythm). In this respect, the book not only provides missing phenomenological descriptions of sonic environments, but also redefines phenomenological methodology with respect to acoustic perception.

Druh

B - Odborná kniha

CEP obor

—

OECD FORD obor

60301 - Philosophy, History and Philosophy of science and technology

Projekt

<a href="/cs/project/GA20-27355S" target="_blank" >GA20-27355S: Fenomenologická zkoumání zvukových prostředí</a><br>

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2024

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

ISBN

978-3-031-65920-1

Počet stran knihy

165

Název nakladatele

Palgrave Macmillan

Místo vydání

Cham

Kód UT WoS knihy

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