The melodrama Heroica in adversis constantia Thomae Mori s an example of Olomouc Jesuit sodality theater production in the context of Holy Week
Identifikátory výsledku
Kód výsledku v IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F67985955%3A_____%2F24%3A00601960" target="_blank" >RIV/67985955:_____/24:00601960 - isvavai.cz</a>
Výsledek na webu
<a href="https://doi.org/10.3366/more.2024.0167" target="_blank" >https://doi.org/10.3366/more.2024.0167</a>
DOI - Digital Object Identifier
<a href="http://dx.doi.org/10.3366/more.2024.0167" target="_blank" >10.3366/more.2024.0167</a>
Alternativní jazyky
Jazyk výsledku
angličtina
Název v původním jazyce
The melodrama Heroica in adversis constantia Thomae Mori s an example of Olomouc Jesuit sodality theater production in the context of Holy Week
Popis výsledku v původním jazyce
The story of Thomas More became the subject of dozens of plays on many European stages shortly after his death, including school plays, operas and oratorios, traveling theater troupe performances, burlesques, etc. With regard to Jesuit production in Europe, very few complete texts of plays have survived. In this respect, the Czech lands have a special position: Carolus Kolczawa’s play Constantia in fide orthodoxa (1716) and the Jesuit melodrama Heroica in adversis constantia Thomae Mori (1727) have been preserved, the latter work in a set of 14 printed librettos of melodramas of the Olomouc Jesuit academic sodality. The Latin melodramas are related to the Lenten meditations and celebrations of this sodality during Passion Week and were performed on Palm Sundays. Our study will focus on a melodrama about Thomas More as a model of the theater production of the Olomouc Jesuit sodality during Passion Week.
Název v anglickém jazyce
The melodrama Heroica in adversis constantia Thomae Mori s an example of Olomouc Jesuit sodality theater production in the context of Holy Week
Popis výsledku anglicky
The story of Thomas More became the subject of dozens of plays on many European stages shortly after his death, including school plays, operas and oratorios, traveling theater troupe performances, burlesques, etc. With regard to Jesuit production in Europe, very few complete texts of plays have survived. In this respect, the Czech lands have a special position: Carolus Kolczawa’s play Constantia in fide orthodoxa (1716) and the Jesuit melodrama Heroica in adversis constantia Thomae Mori (1727) have been preserved, the latter work in a set of 14 printed librettos of melodramas of the Olomouc Jesuit academic sodality. The Latin melodramas are related to the Lenten meditations and celebrations of this sodality during Passion Week and were performed on Palm Sundays. Our study will focus on a melodrama about Thomas More as a model of the theater production of the Olomouc Jesuit sodality during Passion Week.
Klasifikace
Druh
J<sub>imp</sub> - Článek v periodiku v databázi Web of Science
CEP obor
—
OECD FORD obor
60206 - Specific literatures
Návaznosti výsledku
Projekt
<a href="/cs/project/GA22-00477S" target="_blank" >GA22-00477S: Raněnovověká Bohemia litteraria. Žánrová diferenciace novolatinské literatury v českých zemích</a><br>
Návaznosti
I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace
Ostatní
Rok uplatnění
2024
Kód důvěrnosti údajů
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů
Údaje specifické pro druh výsledku
Název periodika
MOREANA
ISSN
0047-8105
e-ISSN
2398-4961
Svazek periodika
61
Číslo periodika v rámci svazku
2
Stát vydavatele periodika
GB - Spojené království Velké Británie a Severního Irska
Počet stran výsledku
17
Strana od-do
192-208
Kód UT WoS článku
001369436700003
EID výsledku v databázi Scopus
2-s2.0-85215269258