Introduction. The soft edges of China’s hard power

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F68378009%3A_____%2F20%3A00636306" target="_blank" >RIV/68378009:_____/20:00636306 - isvavai.cz</a>

Výsledek na webu

<a href="https://doi.org/10.1007/978-981-15-5592-3_1" target="_blank" >https://doi.org/10.1007/978-981-15-5592-3_1</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.1007/978-981-15-5592-3_1" target="_blank" >10.1007/978-981-15-5592-3_1</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Introduction. The soft edges of China’s hard power

Popis výsledku v původním jazyce

The cultural and public diplomacy of many countries allows for or solicits the involvement of actors that are not controlled by the state but can have a significant influence on the image-building of a society or a country. In the People’s Republic of China, on the other hand, the ruling Communist Party perceives public and cultural diplomacy as ‘external propaganda,’ a category within the vast portfolio of ‘ideology and propaganda work,’ and tends to make the participation of non-state actors conditional upon their conformity with the party-state’s metanarrative and policy. The cultural and public diplomacy of China is thus performed mostly by government agencies or actors associated with the government, including various ‘people’s organizations’ established or coopted by the party-state. The notion of culture is an essential channel of engagement of Xi Jinping’s China with foreign state institutions, non-state entities, transnational actors, and the general public, through which it seeks not only to build ‘cultural soft power,’ but also to promote broader strategic policy objectives and to solidify the regime’s domestic and international legitimacy. This collective monograph presents a conceptual introduction to cultural diplomacy and case studies of China’s use of Xinjiang in public diplomacy in Kazakhstan, ‘Silk Road’ diplomacy in Central Asia, the appropriation of the historical figure Admiral Zheng He in cultural diplomacy in Malaysia, the role of two Confucius Institutes and a university in cultural diplomacy in Malaysia, the promotion of the image of ‘Muslim’ China in cultural diplomacy in the Middle East, transnational and local actors’ impact in cultural diplomacy in Berlin, and the trajectory of China’s cultural diplomacy illustrated by the international co-production of documentary films. The publication is an outcome of the research project China’s Cultural Diplomacy: Role of Non-State Actors and Regional Variations (GAČR GA15–21829S) funded by Czech Science Foundation and running from 2015 to 2017.

Název v anglickém jazyce

Introduction. The soft edges of China’s hard power

Popis výsledku anglicky

The cultural and public diplomacy of many countries allows for or solicits the involvement of actors that are not controlled by the state but can have a significant influence on the image-building of a society or a country. In the People’s Republic of China, on the other hand, the ruling Communist Party perceives public and cultural diplomacy as ‘external propaganda,’ a category within the vast portfolio of ‘ideology and propaganda work,’ and tends to make the participation of non-state actors conditional upon their conformity with the party-state’s metanarrative and policy. The cultural and public diplomacy of China is thus performed mostly by government agencies or actors associated with the government, including various ‘people’s organizations’ established or coopted by the party-state. The notion of culture is an essential channel of engagement of Xi Jinping’s China with foreign state institutions, non-state entities, transnational actors, and the general public, through which it seeks not only to build ‘cultural soft power,’ but also to promote broader strategic policy objectives and to solidify the regime’s domestic and international legitimacy. This collective monograph presents a conceptual introduction to cultural diplomacy and case studies of China’s use of Xinjiang in public diplomacy in Kazakhstan, ‘Silk Road’ diplomacy in Central Asia, the appropriation of the historical figure Admiral Zheng He in cultural diplomacy in Malaysia, the role of two Confucius Institutes and a university in cultural diplomacy in Malaysia, the promotion of the image of ‘Muslim’ China in cultural diplomacy in the Middle East, transnational and local actors’ impact in cultural diplomacy in Berlin, and the trajectory of China’s cultural diplomacy illustrated by the international co-production of documentary films. The publication is an outcome of the research project China’s Cultural Diplomacy: Role of Non-State Actors and Regional Variations (GAČR GA15–21829S) funded by Czech Science Foundation and running from 2015 to 2017.

Druh

C - Kapitola v odborné knize

CEP obor

—

OECD FORD obor

50601 - Political science

Projekt

<a href="/cs/project/GA15-21829S" target="_blank" >GA15-21829S: Kulturní diplomacie Číny: role nestátních aktérů a regionální variace</a><br>

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2020

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název knihy nebo sborníku

Transnational Sites of China’s Cultural Diplomacy: Central Asia, Southeast Asia, Middle East and Europe Compared

ISBN

978-981-15-5591-6

Počet stran výsledku

11

Strana od-do

1-11

Počet stran knihy

241

Název nakladatele

Palgrave Macmillan

Místo vydání

Singapore

Kód UT WoS kapitoly

—