The transformation of order in narrative as discordant concord: Using Paul Ricoeur to explore narrative realism as part of social morphogenesis

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F68378025%3A_____%2F22%3A00553834" target="_blank" >RIV/68378025:_____/22:00553834 - isvavai.cz</a>

Výsledek na webu

<a href="https://onlinelibrary.wiley.com/doi/10.1111/jtsb.12319" target="_blank" >https://onlinelibrary.wiley.com/doi/10.1111/jtsb.12319</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.1111/jtsb.12319" target="_blank" >10.1111/jtsb.12319</a>

Jazyk výsledku

angličtina

Název v původním jazyce

The transformation of order in narrative as discordant concord: Using Paul Ricoeur to explore narrative realism as part of social morphogenesis

Popis výsledku v původním jazyce

Social interaction as the middle phase of the morphogenetic sequence described by Margaret Archer presupposes that interpretative activities go on between individuals and collectivities. Novel meanings emerge in social interaction and spur the processes of structural elaboration. The hermeneutics of actors (or agents) should be part of the morphogenetic explanatory framework. Narratives as a distinctive species of interpretation will then become more susceptible to a mode of analysis based in realism. By adopting Paul Ricoeur’s concept of narrative figuration (or threefold mimesis) for use in sociology, it is possible to embark on this task at the rudimentary level of intersubjective communication. The stories and anecdotes in which we describe episodes, events, and processes to others articulate and give order to our experience of time. When we are searching for concord in narratives to cope with discordant elements, we are participating in morphogenesis via the transformation of meaning. The complementary nature of Archer’s and Ricoeur’s conceptualisations provides an alternative to one-sided social constructionist accounts of narrative.

Název v anglickém jazyce

The transformation of order in narrative as discordant concord: Using Paul Ricoeur to explore narrative realism as part of social morphogenesis

Popis výsledku anglicky

Social interaction as the middle phase of the morphogenetic sequence described by Margaret Archer presupposes that interpretative activities go on between individuals and collectivities. Novel meanings emerge in social interaction and spur the processes of structural elaboration. The hermeneutics of actors (or agents) should be part of the morphogenetic explanatory framework. Narratives as a distinctive species of interpretation will then become more susceptible to a mode of analysis based in realism. By adopting Paul Ricoeur’s concept of narrative figuration (or threefold mimesis) for use in sociology, it is possible to embark on this task at the rudimentary level of intersubjective communication. The stories and anecdotes in which we describe episodes, events, and processes to others articulate and give order to our experience of time. When we are searching for concord in narratives to cope with discordant elements, we are participating in morphogenesis via the transformation of meaning. The complementary nature of Archer’s and Ricoeur’s conceptualisations provides an alternative to one-sided social constructionist accounts of narrative.

Druh

J_imp - Článek v periodiku v databázi Web of Science

CEP obor

—

OECD FORD obor

50401 - Sociology

Projekt

—

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2022

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Journal for the Theory of Social Behaviour

ISSN

0021-8308

e-ISSN

1468-5914

Svazek periodika

52

Číslo periodika v rámci svazku

2

Stát vydavatele periodika

GB - Spojené království Velké Británie a Severního Irska

Počet stran výsledku

19

Strana od-do

260-278

Kód UT WoS článku

000686386000001

EID výsledku v databázi Scopus

2-s2.0-85113176656