Cubism translated? The Western Canon of Modernism and Central/Eastern European Art History

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F68378033%3A_____%2F10%3A00371956" target="_blank" >RIV/68378033:_____/10:00371956 - isvavai.cz</a>

Výsledek na webu

<a href="http://www.ingentaconnect.com/content/berg/aitj/2010/00000002/00000002/art00007" target="_blank" >http://www.ingentaconnect.com/content/berg/aitj/2010/00000002/00000002/art00007</a>

DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Cubism translated? The Western Canon of Modernism and Central/Eastern European Art History

Popis výsledku v původním jazyce

The article examines Cubism in Eastern and Central Europe. An important source for the transmission of analytic Cubism from its Parisian center into the Czech context was the journal Umělecký měsíčník (Arts Monthly) (1911-14). Some artists promoted "pure" Cubism close to the Braque-Picasso model, while others favored a more open interpretation. The fascination with Cubism was fueled by theoretical writings which established a connection between crystalline geometrical forms and spirituality. Cubism wasadopted for furniture, objects, monuments, and architecture in Bohemia, ultimately leading to new hybrid styles, such as "Rondo-Cubism" or (more proper title) "National Style". In Latvia, artistic engagement with synthetic Cubism led to "Neo-Cubism", "Cubo-Constructivism" and "Cubo-Suprematism". Cubism, like poetry, is by definition untranslatable.

Název v anglickém jazyce

Cubism translated? The Western Canon of Modernism and Central/Eastern European Art History

Popis výsledku anglicky

The article examines Cubism in Eastern and Central Europe. An important source for the transmission of analytic Cubism from its Parisian center into the Czech context was the journal Umělecký měsíčník (Arts Monthly) (1911-14). Some artists promoted "pure" Cubism close to the Braque-Picasso model, while others favored a more open interpretation. The fascination with Cubism was fueled by theoretical writings which established a connection between crystalline geometrical forms and spirituality. Cubism wasadopted for furniture, objects, monuments, and architecture in Bohemia, ultimately leading to new hybrid styles, such as "Rondo-Cubism" or (more proper title) "National Style". In Latvia, artistic engagement with synthetic Cubism led to "Neo-Cubism", "Cubo-Constructivism" and "Cubo-Suprematism". Cubism, like poetry, is by definition untranslatable.

Druh

J_x - Nezařazeno - Článek v odborném periodiku (Jimp, Jsc a Jost)

CEP obor

AL - Umění, architektura, kulturní dědictví

OECD FORD obor

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Projekt

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Návaznosti

Z - Vyzkumny zamer (s odkazem do CEZ)

Rok uplatnění

2010

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Art and Translation

ISSN

1756-1310

e-ISSN

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Svazek periodika

2

Číslo periodika v rámci svazku

2

Stát vydavatele periodika

GB - Spojené království Velké Británie a Severního Irska

Počet stran výsledku

16

Strana od-do

223-238

Kód UT WoS článku

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EID výsledku v databázi Scopus

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