The Iconography of St. Wenceslas in Early Baroque Prague. The Case of the Wallenstein Palace and Baccio del Bianco

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F68378033%3A_____%2F11%3A00370749" target="_blank" >RIV/68378033:_____/11:00370749 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

The Iconography of St. Wenceslas in Early Baroque Prague. The Case of the Wallenstein Palace and Baccio del Bianco

Popis výsledku v původním jazyce

The article provides a detailed comparison between the St. Wenceslas cycle situated the Palace of Albrecht von Wallenstein in Prague, painted around 1623?24 by Baccio del Bianco in the chapel of the Palace, and an early renaissance cycle of a life of thesaint situated in the Cathedral of St. Vitus in Prague. The text emphasizes Wallenstein´s interest in the renovation of an ancient church of St. Wenceslas located near the palace, vera effigies of saint Wenceslas which was displayed there and the role of the painter Matyáš Mayer who worked in the church as well as in the Cathedral. The article describes also a context of the fact that Wallenstein dedicated his private chapel to the principal patron saint of the Czech lands.

Název v anglickém jazyce

The Iconography of St. Wenceslas in Early Baroque Prague. The Case of the Wallenstein Palace and Baccio del Bianco

Popis výsledku anglicky

The article provides a detailed comparison between the St. Wenceslas cycle situated the Palace of Albrecht von Wallenstein in Prague, painted around 1623?24 by Baccio del Bianco in the chapel of the Palace, and an early renaissance cycle of a life of thesaint situated in the Cathedral of St. Vitus in Prague. The text emphasizes Wallenstein´s interest in the renovation of an ancient church of St. Wenceslas located near the palace, vera effigies of saint Wenceslas which was displayed there and the role of the painter Matyáš Mayer who worked in the church as well as in the Cathedral. The article describes also a context of the fact that Wallenstein dedicated his private chapel to the principal patron saint of the Czech lands.

Druh

J_x - Nezařazeno - Článek v odborném periodiku (Jimp, Jsc a Jost)

CEP obor

AL - Umění, architektura, kulturní dědictví

OECD FORD obor

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Projekt

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Návaznosti

Z - Vyzkumny zamer (s odkazem do CEZ)

Rok uplatnění

2011

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Acta Historiae Artis Slovenica

ISSN

1408-0419

e-ISSN

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Svazek periodika

16

Číslo periodika v rámci svazku

1

Stát vydavatele periodika

SI - Slovinská republika

Počet stran výsledku

15

Strana od-do

71-85

Kód UT WoS článku

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EID výsledku v databázi Scopus

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