Antonio Porta and Seventeenth-Century Central European Architecture

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F68378033%3A_____%2F15%3A00454020" target="_blank" >RIV/68378033:_____/15:00454020 - isvavai.cz</a>

Výsledek na webu

<a href="http://www.riha-journal.org/articles/2015/2015-jan-mar/krummholz-antonio-porta" target="_blank" >http://www.riha-journal.org/articles/2015/2015-jan-mar/krummholz-antonio-porta</a>

DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Antonio Porta and Seventeenth-Century Central European Architecture

Popis výsledku v původním jazyce

The text places the work of Antonio Porta (1631/32-1702) in the broader context of European architecture. It emphasises the close connections between Porta's architecture and the work of Francesco Caratti and Jean Baptiste Mathey, and the common starting-point for these artists, which was the Viennese architecture of Filiberto Lucchese and Giovanni Pietro Tencalla. The architecture of the Troja chateau of Count Sternberg can also be interpreted in this context; it draws on the analogous suburban summerresidences in Vienna (Lusthäuser). There were also significant connections between mid-17th century Central European architecture and the Piedmont metropolis of Turin, which was being developed on a grand scale at that time. On the one hand there were many artists from the Lugano region active in Turin who later went on to work in Central Europe, and on the other numerous Central European aristocrats stayed for a while in Turin as part of their grand tour. It was via Turin that the influ

Název v anglickém jazyce

Antonio Porta and Seventeenth-Century Central European Architecture

Popis výsledku anglicky

The text places the work of Antonio Porta (1631/32-1702) in the broader context of European architecture. It emphasises the close connections between Porta's architecture and the work of Francesco Caratti and Jean Baptiste Mathey, and the common starting-point for these artists, which was the Viennese architecture of Filiberto Lucchese and Giovanni Pietro Tencalla. The architecture of the Troja chateau of Count Sternberg can also be interpreted in this context; it draws on the analogous suburban summerresidences in Vienna (Lusthäuser). There were also significant connections between mid-17th century Central European architecture and the Piedmont metropolis of Turin, which was being developed on a grand scale at that time. On the one hand there were many artists from the Lugano region active in Turin who later went on to work in Central Europe, and on the other numerous Central European aristocrats stayed for a while in Turin as part of their grand tour. It was via Turin that the influ

Druh

J_x - Nezařazeno - Článek v odborném periodiku (Jimp, Jsc a Jost)

CEP obor

AL - Umění, architektura, kulturní dědictví

OECD FORD obor

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Projekt

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Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2015

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

RIHA Journal

ISSN

2190-3328

e-ISSN

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Svazek periodika

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Číslo periodika v rámci svazku

0118

Stát vydavatele periodika

DE - Spolková republika Německo

Počet stran výsledku

23

Strana od-do

1-24

Kód UT WoS článku

000355957700001

EID výsledku v databázi Scopus

2-s2.0-84930960064