Oldřich Stefan’s amplification of the Vienna School of Art History
Identifikátory výsledku
Kód výsledku v IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F68378033%3A_____%2F19%3A00519165" target="_blank" >RIV/68378033:_____/19:00519165 - isvavai.cz</a>
Výsledek na webu
<a href="https://arthistoriography.files.wordpress.com/2019/11/murc3a1r.pdf" target="_blank" >https://arthistoriography.files.wordpress.com/2019/11/murc3a1r.pdf</a>
DOI - Digital Object Identifier
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Alternativní jazyky
Jazyk výsledku
angličtina
Název v původním jazyce
Oldřich Stefan’s amplification of the Vienna School of Art History
Popis výsledku v původním jazyce
The study interprets the art historical method developed by Oldřich Stefan in the late 1930s and early 1940s as an amplification of the method of the Vienna School of art history. Stefan was professionally an architect, but during his studies in 1920s he also attended art-historical seminar of Vojtěch Birnbaum, a pupil of Alois Riegl and Franz Wickhoff. Birnbaum at the Charles University in Prague developed Riegl’s method of art history, mostly represented by his notion of a ‘baroque principle’ in the history of architecture, published in 1924. The influence of the Vienna School of art history in Prague was elaborated also by Antonín Matějček, a follower of Max Dvořák and colleague of Birnbaum at the Prague University. The tradition of the continuation of the Vienna School in Czech art historiography is widely researched mostly in connection to the conceptions of Matějček’s students, who influenced Czech art history in the second half of the 20th century, unlike Birnbaum’s students. However, beside Růžena Vacková it was Oldřich Stefan who profoundly connected his art-historical thinking to the Vienna School tradition, mostly to Birnbaum’s and also Dvořák’s thinking – the methodological foundations of his own theory Stefan elaborated in connection with the historical disruption of the known world by the Second World War. How the study suggests, Stefan amplified the methodological assumptions of the Vienna School in order to restore the impaired reality of the advanced 20th century.
Název v anglickém jazyce
Oldřich Stefan’s amplification of the Vienna School of Art History
Popis výsledku anglicky
The study interprets the art historical method developed by Oldřich Stefan in the late 1930s and early 1940s as an amplification of the method of the Vienna School of art history. Stefan was professionally an architect, but during his studies in 1920s he also attended art-historical seminar of Vojtěch Birnbaum, a pupil of Alois Riegl and Franz Wickhoff. Birnbaum at the Charles University in Prague developed Riegl’s method of art history, mostly represented by his notion of a ‘baroque principle’ in the history of architecture, published in 1924. The influence of the Vienna School of art history in Prague was elaborated also by Antonín Matějček, a follower of Max Dvořák and colleague of Birnbaum at the Prague University. The tradition of the continuation of the Vienna School in Czech art historiography is widely researched mostly in connection to the conceptions of Matějček’s students, who influenced Czech art history in the second half of the 20th century, unlike Birnbaum’s students. However, beside Růžena Vacková it was Oldřich Stefan who profoundly connected his art-historical thinking to the Vienna School tradition, mostly to Birnbaum’s and also Dvořák’s thinking – the methodological foundations of his own theory Stefan elaborated in connection with the historical disruption of the known world by the Second World War. How the study suggests, Stefan amplified the methodological assumptions of the Vienna School in order to restore the impaired reality of the advanced 20th century.
Klasifikace
Druh
J<sub>ost</sub> - Ostatní články v recenzovaných periodicích
CEP obor
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OECD FORD obor
60401 - Arts, Art history
Návaznosti výsledku
Projekt
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Návaznosti
I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace
Ostatní
Rok uplatnění
2019
Kód důvěrnosti údajů
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů
Údaje specifické pro druh výsledku
Název periodika
Journal of Art Historiography
ISSN
2042-4752
e-ISSN
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Svazek periodika
11
Číslo periodika v rámci svazku
21
Stát vydavatele periodika
GB - Spojené království Velké Británie a Severního Irska
Počet stran výsledku
37
Strana od-do
1-37
Kód UT WoS článku
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EID výsledku v databázi Scopus
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