Anastas Jovanović. Photographer of the new Slovak political representation

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F68378033%3A_____%2F22%3A00555356" target="_blank" >RIV/68378033:_____/22:00555356 - isvavai.cz</a>

Výsledek na webu

<a href="https://journals.ub.uni-heidelberg.de/index.php/rihajournal/article/view/87886" target="_blank" >https://journals.ub.uni-heidelberg.de/index.php/rihajournal/article/view/87886</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.11588/riha.2022.1.87886" target="_blank" >10.11588/riha.2022.1.87886</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Anastas Jovanović. Photographer of the new Slovak political representation

Popis výsledku v původním jazyce

This essay looks into the very beginnings of paper photography in the Austrian Empire. It focuses on two salted paper portraits of two most iconic figures of the Slovak National Revival in the mid-19th century, Ľudovít Štúr and Jozef M. Hurban. Created around 1848 by Anastas Jovanović, a Serbian photographer and lithographer based in Vienna, both portraits are the earliest paper photographs today preserved in Slovak collections. The article elucidates not only the salted paper prints’ authorship, origin, ownership and material characteristics, but also the notion of reproduction and circulation of images in and around the Year of Revolution and, concurrently, by the time when photography on paper started to flourish in Central Europe. Special attention is paid to social and cultural contacts between Slovaks and Serbs around 1848 as a key factor to the photographs’ production.

Název v anglickém jazyce

Anastas Jovanović. Photographer of the new Slovak political representation

Popis výsledku anglicky

This essay looks into the very beginnings of paper photography in the Austrian Empire. It focuses on two salted paper portraits of two most iconic figures of the Slovak National Revival in the mid-19th century, Ľudovít Štúr and Jozef M. Hurban. Created around 1848 by Anastas Jovanović, a Serbian photographer and lithographer based in Vienna, both portraits are the earliest paper photographs today preserved in Slovak collections. The article elucidates not only the salted paper prints’ authorship, origin, ownership and material characteristics, but also the notion of reproduction and circulation of images in and around the Year of Revolution and, concurrently, by the time when photography on paper started to flourish in Central Europe. Special attention is paid to social and cultural contacts between Slovaks and Serbs around 1848 as a key factor to the photographs’ production.

Druh

J_imp - Článek v periodiku v databázi Web of Science

CEP obor

—

OECD FORD obor

60401 - Arts, Art history

Projekt

<a href="/cs/project/GA17-00682S" target="_blank" >GA17-00682S: Reflexe kalotypie a počátky fotografie na papíru ve střední Evropě</a><br>

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Rok uplatnění

2022

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

RIHA Journal

ISSN

2190-3328

e-ISSN

—

Svazek periodika

—

Číslo periodika v rámci svazku

April

Stát vydavatele periodika

DE - Spolková republika Německo

Počet stran výsledku

18

Strana od-do

0273

Kód UT WoS článku

000811254200001

EID výsledku v databázi Scopus

2-s2.0-85131406208