Metternich’s collection of Talbot’s photographs. A lost album as a virtually material being

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F68378033%3A_____%2F22%3A00558565" target="_blank" >RIV/68378033:_____/22:00558565 - isvavai.cz</a>

Výsledek na webu

<a href="https://academic.oup.com/jhc/advance-article/doi/10.1093/jhc/fhac023/6595441?guestAccessKey=26a0bb84-c2ca-4907-8f0c-d21820355ef0" target="_blank" >https://academic.oup.com/jhc/advance-article/doi/10.1093/jhc/fhac023/6595441?guestAccessKey=26a0bb84-c2ca-4907-8f0c-d21820355ef0</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.1093/jhc/fhac023" target="_blank" >10.1093/jhc/fhac023</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Metternich’s collection of Talbot’s photographs. A lost album as a virtually material being

Popis výsledku v původním jazyce

The earliest era of photograph collecting in Central Europe is largely unexplored. One of the few pioneering collectors we know about was Klemens W.N.L., Prince von Metternich-Winneburg. As the article demonstrates, in the early 1840s he acquired dozens of photogenic drawings and calotypes from the inventor W.H.F. Talbot and incorporated them into his extensive collections at Kynžvart castle. Most of the series is lost today, but drawing on recently recognized traces and documents – starting with Talbot’s correspondence and period catalogues of the Kynžvart collection and ending with later reproductions and research interests of historians and collectors Egon Corti and Erich Stenger – we can form a detailed idea of the series’ origin, form, content and path. We can also better understand Metternich’s interest in photograph collecting and his role in early development of paper photography in this part of Europe.

Název v anglickém jazyce

Metternich’s collection of Talbot’s photographs. A lost album as a virtually material being

Popis výsledku anglicky

The earliest era of photograph collecting in Central Europe is largely unexplored. One of the few pioneering collectors we know about was Klemens W.N.L., Prince von Metternich-Winneburg. As the article demonstrates, in the early 1840s he acquired dozens of photogenic drawings and calotypes from the inventor W.H.F. Talbot and incorporated them into his extensive collections at Kynžvart castle. Most of the series is lost today, but drawing on recently recognized traces and documents – starting with Talbot’s correspondence and period catalogues of the Kynžvart collection and ending with later reproductions and research interests of historians and collectors Egon Corti and Erich Stenger – we can form a detailed idea of the series’ origin, form, content and path. We can also better understand Metternich’s interest in photograph collecting and his role in early development of paper photography in this part of Europe.

Druh

J_imp - Článek v periodiku v databázi Web of Science

CEP obor

—

OECD FORD obor

60401 - Arts, Art history

Projekt

<a href="/cs/project/GA17-00682S" target="_blank" >GA17-00682S: Reflexe kalotypie a počátky fotografie na papíru ve střední Evropě</a><br>

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Rok uplatnění

2022

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Journal of the History of Collections

ISSN

0954-6650

e-ISSN

1477-8564

Svazek periodika

—

Číslo periodika v rámci svazku

May

Stát vydavatele periodika

GB - Spojené království Velké Británie a Severního Irska

Počet stran výsledku

16

Strana od-do

fhac023

Kód UT WoS článku

000805206800001

EID výsledku v databázi Scopus

2-s2.0-85168126049