Joseph Heintz the Elder, Another Leda and the Swan

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F68378033%3A_____%2F22%3A00563538" target="_blank" >RIV/68378033:_____/22:00563538 - isvavai.cz</a>

Výsledek na webu

<a href="https://kramerius.lib.cas.cz/uuid/uuid:35ce4d5a-d805-43be-a9bd-c37b6e52fbea" target="_blank" >https://kramerius.lib.cas.cz/uuid/uuid:35ce4d5a-d805-43be-a9bd-c37b6e52fbea</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.54759/sr-2022-002" target="_blank" >10.54759/sr-2022-002</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Joseph Heintz the Elder, Another Leda and the Swan

Popis výsledku v původním jazyce

The text juxtaposes Leda and the Swan by Joseph Heintz the Elder, exhibited in Augsburg 2015, with a newly rediscovered painting of the same subject. It also takes into consideration the role of three drawings that have been discussed with the Augsburg painting. The comparison shows the process by which Heintz created variant compositions. The restoration of the new work uncovered traces of underdrawing and multiple pentimenti, providing evidence that this oil on copper could have been the first composition that was intended for the emperor. The existence of the newly identified painting corresponds to the painter’s custom to repeat the successful composition several times if it evoked interest among collectors.

Název v anglickém jazyce

Joseph Heintz the Elder, Another Leda and the Swan

Popis výsledku anglicky

The text juxtaposes Leda and the Swan by Joseph Heintz the Elder, exhibited in Augsburg 2015, with a newly rediscovered painting of the same subject. It also takes into consideration the role of three drawings that have been discussed with the Augsburg painting. The comparison shows the process by which Heintz created variant compositions. The restoration of the new work uncovered traces of underdrawing and multiple pentimenti, providing evidence that this oil on copper could have been the first composition that was intended for the emperor. The existence of the newly identified painting corresponds to the painter’s custom to repeat the successful composition several times if it evoked interest among collectors.

Druh

J_SC - Článek v periodiku v databázi SCOPUS

CEP obor

—

OECD FORD obor

60401 - Arts, Art history

Projekt

—

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2022

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Studia Rudolphina. Bulletin of the Research Center for Visual Arts and Culture in the Age of Rudolf II

ISSN

1213-5372

e-ISSN

—

Svazek periodika

21-22

Číslo periodika v rámci svazku

1

Stát vydavatele periodika

CZ - Česká republika

Počet stran výsledku

9

Strana od-do

25-33

Kód UT WoS článku

—

EID výsledku v databázi Scopus

2-s2.0-85141426928