Christmas Exhibition: An Altern ative to Official Art Shows and a Marketing Strategy.

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F68378033%3A_____%2F24%3A00604283" target="_blank" >RIV/68378033:_____/24:00604283 - isvavai.cz</a>

Výsledek na webu

<a href="https://kramerius.lib.cas.cz/view/uuid:33eeaab9-aaec-4337-a6b0-c0b31f32a3b0?article=uuid:9f91721e-48e6-415d-a41f-aee441d1a7b1" target="_blank" >https://kramerius.lib.cas.cz/view/uuid:33eeaab9-aaec-4337-a6b0-c0b31f32a3b0?article=uuid:9f91721e-48e6-415d-a41f-aee441d1a7b1</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.54759/art-2024-0104" target="_blank" >10.54759/art-2024-0104</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Christmas Exhibition: An Altern ative to Official Art Shows and a Marketing Strategy.

Popis výsledku v původním jazyce

Christmas (or winter) exhibitions became an integral part of the European art scene in the nineteenth century. They provided a welcome diversion for both the public and the exhibiting artists, who were essentially confined to the dates of the annual art exhibitions, held usually in the spring. The tradition of Christmas exhibitions in the art centres of continental Europe, especially in the German- speaking countries, can be traced back to the first third of the nineteenth century. By the middle of the century, they had spread throughout Europe, from London to Berlin and Prague. Christmas exhibitions appeared in the calendars of both art associations and private gallerists who wished to promote their own businesses. In Prague, one of the most prominent entrepreneurs was Nicolaus Lehmann, who opened his art salon with a permanent exhibition in the 1870s, and, more than a decade later, another prominent figure in the field of art presentation, Alois Wiesner, appeared on the scene. In addition to the permanent displays, both gallerists regularly held Christmas exhibitions in their salons in order to increase the saleability of the works presented. By organising art sales shows, they expanded the official exhibition scene in Prague in the last third of the nineteenth century. In this way, Lehmann and Wiesner introduced the general public to a wide range of contemporary artists and their latest artistic creations, as well as a modern approach to artistic operations.

Název v anglickém jazyce

Christmas Exhibition: An Altern ative to Official Art Shows and a Marketing Strategy.

Popis výsledku anglicky

Christmas (or winter) exhibitions became an integral part of the European art scene in the nineteenth century. They provided a welcome diversion for both the public and the exhibiting artists, who were essentially confined to the dates of the annual art exhibitions, held usually in the spring. The tradition of Christmas exhibitions in the art centres of continental Europe, especially in the German- speaking countries, can be traced back to the first third of the nineteenth century. By the middle of the century, they had spread throughout Europe, from London to Berlin and Prague. Christmas exhibitions appeared in the calendars of both art associations and private gallerists who wished to promote their own businesses. In Prague, one of the most prominent entrepreneurs was Nicolaus Lehmann, who opened his art salon with a permanent exhibition in the 1870s, and, more than a decade later, another prominent figure in the field of art presentation, Alois Wiesner, appeared on the scene. In addition to the permanent displays, both gallerists regularly held Christmas exhibitions in their salons in order to increase the saleability of the works presented. By organising art sales shows, they expanded the official exhibition scene in Prague in the last third of the nineteenth century. In this way, Lehmann and Wiesner introduced the general public to a wide range of contemporary artists and their latest artistic creations, as well as a modern approach to artistic operations.

Druh

J_imp - Článek v periodiku v databázi Web of Science

CEP obor

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OECD FORD obor

60401 - Arts, Art history

Projekt

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Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2024

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Umění

ISSN

0049-5123

e-ISSN

1804-6509

Svazek periodika

72

Číslo periodika v rámci svazku

1

Stát vydavatele periodika

CZ - Česká republika

Počet stran výsledku

16

Strana od-do

53-68

Kód UT WoS článku

001252794400004

EID výsledku v databázi Scopus

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