Towards the Temporality of Narrative in Czech Historicizing Prose of the 19th Century: Model of Dramatic Dialogue

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F68378068%3A_____%2F20%3A00537331" target="_blank" >RIV/68378068:_____/20:00537331 - isvavai.cz</a>

Výsledek na webu

<a href="https://hrcak.srce.hr/249456" target="_blank" >https://hrcak.srce.hr/249456</a>

DOI - Digital Object Identifier

—

Jazyk výsledku

chorvatština

Název v původním jazyce

K temporalnosti naracije u češkoj povijesnoj prozi 19. stoljeća. Model dramskog dijaloga

Popis výsledku v původním jazyce

Povijesna proza, kao i proza ​​smještena u blisku prošlost, čija su tema često „domoljubne teme”, bilo povijesne, lokalne ili društvene, često su se oslanjale na narativni postupak uobičajen u žanru drame. Radnju izravno predstavljaju „na sceni” likovi koji vode dijalog, dok je opisna ili karakterizirajuća komponenta snažno potisnuta. U opsegu likova odvijaju se i sve anakronije, koje inače linearno pripovijedanje sveznajućeg pripovjedača ne može poremetiti, a samim time ni neizvjesno. Korijeni ovog modela, koji je u prozi preživio vrlo dugo, mogu se pratiti ne samo u dominaciji dramskog žanra u češkoj kulturi na prijelazu iz 18. u 19. stoljeće, već i u Jungmannovom konceptu češke kulture. Istodobno, ukazujemo na naglasak na usmenom pripovijedanju kao karakterističnom elementu nacionalne ili vjerske zajednice. Epizodna struktura karakteristična je za usmenu kulturu, a distribucija retrospektivnih narativa isključivo u raspon likova, njihovi dijalozi i monolozi mogu se pripisati evokaciji usmene kulture koja čini kolektivno pamćenje u svojoj krajnjoj namjeri češkog domoljubnog društva.

Název v anglickém jazyce

Towards the Temporality of Narrative in Czech Historicizing Prose of the 19th Century: Model of Dramatic Dialogue

Popis výsledku anglicky

Historical prose, as well as prose situated in the near past, often based on „patriotic Themis“, whether historical, local or social, often based on the narrative process common in the drama genre. The plot is directly demonstrated „on the scene“ by characters who conduct dialogue, while the descriptive or characterizing component is strongly suppressed. There are also all the anachronies in the character band that otherwise would not disturb the linear narrative of the omniscient narrator, and hence uncertainty. The roots of this model, which survives in prose for a very long time, can be found not only in the dominance of the drama genre in Czech culture at the turn of the 18th and 19th centuries, but also in the Jungmann concept of Czech culture. At the same time, we emphasize oral narration as a characterizing element of a national or religious community. The episodic structure is typical of oral culture and the distribution of retrospective narratives exclusively to the band of characters, their dialogues and monologues can be attributed to the evocation of oral culture constituting collective memory in its ultimate intention of Czech patriotic society.

Druh

J_imp - Článek v periodiku v databázi Web of Science

CEP obor

—

OECD FORD obor

60206 - Specific literatures

Projekt

<a href="/cs/project/GA18-04420S" target="_blank" >GA18-04420S: Proměny narativních způsobů v české próze I</a><br>

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2020

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Književna smotra

ISSN

0455-0463

e-ISSN

—

Svazek periodika

52

Číslo periodika v rámci svazku

198/4

Stát vydavatele periodika

HR - Chorvatská republika

Počet stran výsledku

11

Strana od-do

25-35

Kód UT WoS článku

000605635600004

EID výsledku v databázi Scopus

—