Czech Opera Competitions and Their Effect on the Czech (and Slovak) National Theatre

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F68378068%3A_____%2F21%3A00546587" target="_blank" >RIV/68378068:_____/21:00546587 - isvavai.cz</a>

Výsledek na webu

<a href="http://dx.doi.org/10.31577/2021.9788022419116.08" target="_blank" >http://dx.doi.org/10.31577/2021.9788022419116.08</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.31577/2021.9788022419116.08" target="_blank" >10.31577/2021.9788022419116.08</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Czech Opera Competitions and Their Effect on the Czech (and Slovak) National Theatre

Popis výsledku v původním jazyce

The primary opera repertoire of the first seasons of the Slovak National Theatre was irreplaceably composed of works by the “classics” of Czech music in the second half of the 19th century. The study attempts to answer the possibilities of transferring the works of “Czechslavonic” composers to the national theatre of another ethnic group. The key to the possibilities of such a transmission could be encoded deep in history, specifically in the historical background of the announced opera competitions (1869, 1882, 1895). The ambition of these opera competitions was to strengthen the national repertoire and at the same time draw attention to Czech music abroad and in Vienna. Surprisingly, many authors did not take part in these opera competitions (B. Smetana, K. Bendl, Z. Fibich, K. Kovařovic, J. B. Foerster), however, many works were created in their time and were able to fulfil the announced conditions, some of these compositions survived in the long-term repertoire (e.g. works by A. Dvořák, L. Janáček). Smetana's The Bartered Bride even became a fundamental part of the repertoire of all Slavic opera houses, respectively non-German nations of the crumbling and eventually extinct Austro-Hungarian Empire.

Název v anglickém jazyce

Czech Opera Competitions and Their Effect on the Czech (and Slovak) National Theatre

Popis výsledku anglicky

The primary opera repertoire of the first seasons of the Slovak National Theatre was irreplaceably composed of works by the “classics” of Czech music in the second half of the 19th century. The study attempts to answer the possibilities of transferring the works of “Czechslavonic” composers to the national theatre of another ethnic group. The key to the possibilities of such a transmission could be encoded deep in history, specifically in the historical background of the announced opera competitions (1869, 1882, 1895). The ambition of these opera competitions was to strengthen the national repertoire and at the same time draw attention to Czech music abroad and in Vienna. Surprisingly, many authors did not take part in these opera competitions (B. Smetana, K. Bendl, Z. Fibich, K. Kovařovic, J. B. Foerster), however, many works were created in their time and were able to fulfil the announced conditions, some of these compositions survived in the long-term repertoire (e.g. works by A. Dvořák, L. Janáček). Smetana's The Bartered Bride even became a fundamental part of the repertoire of all Slavic opera houses, respectively non-German nations of the crumbling and eventually extinct Austro-Hungarian Empire.

Druh

C - Kapitola v odborné knize

CEP obor

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OECD FORD obor

60206 - Specific literatures

Projekt

<a href="/cs/project/GA20-15595S" target="_blank" >GA20-15595S: Autonomizace českého umění: průběh procesu v kritické recepci literární, výtvarné a hudební produkce 60. až 80. let 19. století</a><br>

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Rok uplatnění

2021

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název knihy nebo sborníku

Cultural and Artistic Transfers in Theatre and Music: Past, Present, and Perspectives

ISBN

978-80-224-1911-6

Počet stran výsledku

18

Strana od-do

139-156

Počet stran knihy

268

Název nakladatele

Art Research Centre of the Slovak Academy of Sciences Institute of Theatre and Film Research, VEDA Publishing House of the Slovak Academy of Sciences

Místo vydání

Bratislava

Kód UT WoS kapitoly

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