Metalepsis in Czech Literature

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F68378068%3A_____%2F23%3A00575069" target="_blank" >RIV/68378068:_____/23:00575069 - isvavai.cz</a>

Výsledek na webu

<a href="http://dx.doi.org/10.1515/9783110617481-038" target="_blank" >http://dx.doi.org/10.1515/9783110617481-038</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.1515/9783110617481-038" target="_blank" >10.1515/9783110617481-038</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Metalepsis in Czech Literature

Popis výsledku v původním jazyce

The study deals with the phenomenon of metalepsis in the context of Czech literature from the Middle Ages to the 20th century. The narrative analysis of selected literary texts shows that the figure of addressing the addressee with a metaleptic effect has three main forms: 1) Addressing the addressee is part of the author's textual and communicative strategy (i.e. rhetorical metalepsis), 2) addressing the addressee is an integral part of the narrative and the play of fiction (i.e. ontological metalepsis), 3) addressing the addressee requires the addressee to perform various activities (i.e. performative metalepsis). The study uses specific examples to show the historical development and use of metalepsis in Czech literature, with special attention paid to the 19th century (K. H. Mácha, B. Němcová, J. Neruda) and the first half of the 20th century (K. Čapek, V. Vančura, but also J. Foglar). The study shows that metalepsis has many different forms in Czech literature, the spread of which was significantly related to the development of the Czech language and the development of narrative modes.

Název v anglickém jazyce

Metalepsis in Czech Literature

Popis výsledku anglicky

The study deals with the phenomenon of metalepsis in the context of Czech literature from the Middle Ages to the 20th century. The narrative analysis of selected literary texts shows that the figure of addressing the addressee with a metaleptic effect has three main forms: 1) Addressing the addressee is part of the author's textual and communicative strategy (i.e. rhetorical metalepsis), 2) addressing the addressee is an integral part of the narrative and the play of fiction (i.e. ontological metalepsis), 3) addressing the addressee requires the addressee to perform various activities (i.e. performative metalepsis). The study uses specific examples to show the historical development and use of metalepsis in Czech literature, with special attention paid to the 19th century (K. H. Mácha, B. Němcová, J. Neruda) and the first half of the 20th century (K. Čapek, V. Vančura, but also J. Foglar). The study shows that metalepsis has many different forms in Czech literature, the spread of which was significantly related to the development of the Czech language and the development of narrative modes.

Druh

C - Kapitola v odborné knize

CEP obor

—

OECD FORD obor

60205 - Literary theory

Projekt

—

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2023

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název knihy nebo sborníku

Handbook of Diachronic Narratology

ISBN

978-3-11-061748-1

Počet stran výsledku

20

Strana od-do

770-789

Počet stran knihy

906

Název nakladatele

De Gruyter

Místo vydání

Berlin

Kód UT WoS kapitoly

001075087700039