Legacy of Zdeněk Kašpar in musical and dance folklorism in Wallachia

Kód výsledku v IS VaVaI

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Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Legacy of Zdeněk Kašpar in musical and dance folklorism in Wallachia

Popis výsledku v původním jazyce

Regional identity has been strongly rooted in the minds of the people of Moravian Wallachia. Local folklore in its second existence (that is, in the form of folklorism) has been spread by folklore ensembles. They hand down elements of local culture: traditional folk dances, songs and music, and so they self-identify with the culture of their region. There is a significant role of prominent personalities in the creation and formation of local culture and identity. Let us name Zdeněk Kašpar (1925–2002) who was a leader of the folklore ensemble Jasénka for more than sixty years. Heninfluenced several generations of members and contributed to the cultivation of musical taste of the general public as well. Similar personalities represent small social groups, in our case folklorenensembles, and as such, they often enter the nationwide system of folklore movement. On the examples Z. Kašpar’s field work – dance songs from Lužná and dance from Velké Karlovice: zvŕtaný – we focus on their transformation into the second form for stage rendering.

Název v anglickém jazyce

Legacy of Zdeněk Kašpar in musical and dance folklorism in Wallachia

Popis výsledku anglicky

Regional identity has been strongly rooted in the minds of the people of Moravian Wallachia. Local folklore in its second existence (that is, in the form of folklorism) has been spread by folklore ensembles. They hand down elements of local culture: traditional folk dances, songs and music, and so they self-identify with the culture of their region. There is a significant role of prominent personalities in the creation and formation of local culture and identity. Let us name Zdeněk Kašpar (1925–2002) who was a leader of the folklore ensemble Jasénka for more than sixty years. Heninfluenced several generations of members and contributed to the cultivation of musical taste of the general public as well. Similar personalities represent small social groups, in our case folklorenensembles, and as such, they often enter the nationwide system of folklore movement. On the examples Z. Kašpar’s field work – dance songs from Lužná and dance from Velké Karlovice: zvŕtaný – we focus on their transformation into the second form for stage rendering.

Druh

C - Kapitola v odborné knize

CEP obor

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OECD FORD obor

60404 - Folklore studies

Projekt

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Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2019

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název knihy nebo sborníku

Traditional Music and Dance in Contemporary Culture(s)

ISBN

978-80-558-1477-3

Počet stran výsledku

14

Strana od-do

178-191

Počet stran knihy

259

Název nakladatele

Constantine the Philosopher University

Místo vydání

Nitra

Kód UT WoS kapitoly

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