The place of Jan Dismas Zelenka within Prague’s sacred music scene as viewed through the inventory of the Knights of the Cross with the Red Star

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F68378076%3A_____%2F19%3A00523389" target="_blank" >RIV/68378076:_____/19:00523389 - isvavai.cz</a>

Výsledek na webu

<a href="http://www.acecs.cz/media/cu_2019_08_01_kapsa.pdf" target="_blank" >http://www.acecs.cz/media/cu_2019_08_01_kapsa.pdf</a>

DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

The place of Jan Dismas Zelenka within Prague’s sacred music scene as viewed through the inventory of the Knights of the Cross with the Red Star

Popis výsledku v původním jazyce

The music inventory of the Knights of the Cross with the Red Star from ca. 1737/38 belongs to the paradigmatic sources both within research of “the musical culture of eighteenth-century Bohemia” (to cite the title of Barbara Ann Renton’s dissertation) and the exploring of rich terrain of music inventories from Czech lands started with the Jiří Fukač’s founding work about this immense source discovered by him. Paradoxically, Fukač’s edition of the Knights of the Cross inventory remains unpublished, while all subsequent studies drew from his typescript rather from the original source. What picture does the inventory provide of music culture in Prague of the time? And what place does Jan Dismas Zelenka and his compositions occupy in this context? The article aims to search for possible answers to these questions by analysing data from the column “Productio”, which has received minimum attention since Fukač’s effort.

Název v anglickém jazyce

The place of Jan Dismas Zelenka within Prague’s sacred music scene as viewed through the inventory of the Knights of the Cross with the Red Star

Popis výsledku anglicky

The music inventory of the Knights of the Cross with the Red Star from ca. 1737/38 belongs to the paradigmatic sources both within research of “the musical culture of eighteenth-century Bohemia” (to cite the title of Barbara Ann Renton’s dissertation) and the exploring of rich terrain of music inventories from Czech lands started with the Jiří Fukač’s founding work about this immense source discovered by him. Paradoxically, Fukač’s edition of the Knights of the Cross inventory remains unpublished, while all subsequent studies drew from his typescript rather from the original source. What picture does the inventory provide of music culture in Prague of the time? And what place does Jan Dismas Zelenka and his compositions occupy in this context? The article aims to search for possible answers to these questions by analysing data from the column “Productio”, which has received minimum attention since Fukač’s effort.

Druh

J_ost - Ostatní články v recenzovaných periodicích

CEP obor

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OECD FORD obor

60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)

Projekt

<a href="/cs/project/GA16-17615S" target="_blank" >GA16-17615S: Hudební inventáře raného novověku v českých zemích</a><br>

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Rok uplatnění

2019

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Clavibus unitis

ISSN

1803-7747

e-ISSN

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Svazek periodika

8

Číslo periodika v rámci svazku

1

Stát vydavatele periodika

CZ - Česká republika

Počet stran výsledku

10

Strana od-do

91-100

Kód UT WoS článku

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EID výsledku v databázi Scopus

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