Dance as a commodity: The Czech Folklore Show
Identifikátory výsledku
Kód výsledku v IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F68378076%3A_____%2F22%3A00564154" target="_blank" >RIV/68378076:_____/22:00564154 - isvavai.cz</a>
Výsledek na webu
—
DOI - Digital Object Identifier
—
Alternativní jazyky
Jazyk výsledku
angličtina
Název v původním jazyce
Dance as a commodity: The Czech Folklore Show
Popis výsledku v původním jazyce
The contribution deals with the dance productions of Czech folklore show for tourists visiting Prague. This phenomenon has its origins in 1970´when few people – dancers and musicians from folklore ensembles – started to be invited to dance for tourists in prestigious hotels. After 1989 “velvet revolution” the business with folklore became a part of tourism where the dance has its specific role. An increasing number of special pubs offering Czech meal, costume, song, and dance show during an evening, provokes several questions as to how folk dance can become a profitable commodity, what trade rules apply here and what the demand-supply ratio is, and which elements of the traditional culture are picked up from the repertoire of traditional music and dance to represent the “real Czechness”. The research is based on the observation of the strategies of several folklore pubs in Prague and deep interviews with actors which enable to see the inner side of the process.
Název v anglickém jazyce
Dance as a commodity: The Czech Folklore Show
Popis výsledku anglicky
The contribution deals with the dance productions of Czech folklore show for tourists visiting Prague. This phenomenon has its origins in 1970´when few people – dancers and musicians from folklore ensembles – started to be invited to dance for tourists in prestigious hotels. After 1989 “velvet revolution” the business with folklore became a part of tourism where the dance has its specific role. An increasing number of special pubs offering Czech meal, costume, song, and dance show during an evening, provokes several questions as to how folk dance can become a profitable commodity, what trade rules apply here and what the demand-supply ratio is, and which elements of the traditional culture are picked up from the repertoire of traditional music and dance to represent the “real Czechness”. The research is based on the observation of the strategies of several folklore pubs in Prague and deep interviews with actors which enable to see the inner side of the process.
Klasifikace
Druh
D - Stať ve sborníku
CEP obor
—
OECD FORD obor
60500 - Other Humanities and the Arts
Návaznosti výsledku
Projekt
<a href="/cs/project/GF22-31474K" target="_blank" >GF22-31474K: Folklorní revivalismus v postsocialistických zemích: politiky, paměť, heritizace a udržitelnost</a><br>
Návaznosti
I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace
Ostatní
Rok uplatnění
2022
Kód důvěrnosti údajů
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů
Údaje specifické pro druh výsledku
Název statě ve sborníku
Dance and Economy, Dance and Transmission
ISBN
978-609-8071-67-2
ISSN
—
e-ISSN
—
Počet stran výsledku
8
Strana od-do
15-23
Název nakladatele
ICTM Study Group on Ethnochoreology and Lithuanian Academy of Music and Theatre
Místo vydání
Vilnius
Místo konání akce
Klaipeda
Datum konání akce
12. 7. 2021
Typ akce podle státní příslušnosti
WRD - Celosvětová akce
Kód UT WoS článku
—