The Nation’s Image in Songs: Folk Music Research and Revival in the Twentieth Century

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F68378076%3A_____%2F25%3A00641792" target="_blank" >RIV/68378076:_____/25:00641792 - isvavai.cz</a>

Výsledek na webu

<a href="http://dx.doi.org/10.1017/9781009168663.025" target="_blank" >http://dx.doi.org/10.1017/9781009168663.025</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.1017/9781009168663.025" target="_blank" >10.1017/9781009168663.025</a>

Jazyk výsledku

angličtina

Název v původním jazyce

The Nation’s Image in Songs: Folk Music Research and Revival in the Twentieth Century

Popis výsledku v původním jazyce

This chapter explores the ways in which folk music and dance were linked to science and politics in the twentieth century. To understand these relationships, the chapter starts with nineteenth-century collections of folksongs, which determine the canon of Bohemian and Moravian folk music until the present day. The traditional forms of folk music recorded by nineteenth-century collectors nearly disappeared in the twentieth century. This decline coincided with the emergence of a prominent folk revival, marked by the proliferation of both amateur and professional folk ensembles in post-1948 communist Czechoslovakia. Throughout the communist era, which lasted until 1989, these endeavors were officially aligned with the Communist Party’s politics and often carried propagandistic undertones. In the late twentieth century, folk music ensembles and practitioners were both influenced by and influencing classical music, as well as, later, rock and jazz, with institutionalized radio broadcasts playing a significant role in this evolution.

Název v anglickém jazyce

The Nation’s Image in Songs: Folk Music Research and Revival in the Twentieth Century

Popis výsledku anglicky

This chapter explores the ways in which folk music and dance were linked to science and politics in the twentieth century. To understand these relationships, the chapter starts with nineteenth-century collections of folksongs, which determine the canon of Bohemian and Moravian folk music until the present day. The traditional forms of folk music recorded by nineteenth-century collectors nearly disappeared in the twentieth century. This decline coincided with the emergence of a prominent folk revival, marked by the proliferation of both amateur and professional folk ensembles in post-1948 communist Czechoslovakia. Throughout the communist era, which lasted until 1989, these endeavors were officially aligned with the Communist Party’s politics and often carried propagandistic undertones. In the late twentieth century, folk music ensembles and practitioners were both influenced by and influencing classical music, as well as, later, rock and jazz, with institutionalized radio broadcasts playing a significant role in this evolution.

Druh

C - Kapitola v odborné knize

CEP obor

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OECD FORD obor

60404 - Folklore studies

Projekt

—

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2025

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název knihy nebo sborníku

A History of Music in the Czech Lands

ISBN

9781009168663

Počet stran výsledku

13

Strana od-do

335-348

Počet stran knihy

532

Název nakladatele

Cambridge University Press

Místo vydání

Cambridge

Kód UT WoS kapitoly

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