The documentary film Hopa lide: The making of Romani representation

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F68378076%3A_____%2F26%3A00641479" target="_blank" >RIV/68378076:_____/26:00641479 - isvavai.cz</a>

Výsledek na webu

<a href="https://anthrosource.onlinelibrary.wiley.com/doi/10.1111/var.70015" target="_blank" >https://anthrosource.onlinelibrary.wiley.com/doi/10.1111/var.70015</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.1111/var.70015" target="_blank" >10.1111/var.70015</a>

Jazyk výsledku

angličtina

Název v původním jazyce

The documentary film Hopa lide: The making of Romani representation

Popis výsledku v původním jazyce

The article concerns the ethnographic documentary film Hopa lide, which stems from the author's ten years of ethnographic research among Romani musicians in Slovakia. The film is based on documenting the collaborative making of music videos. Firstly, the article critically reflects on Romani representation in contemporary documentary films, arguing that it is often distorted due to tendencies toward exoticization, the monopoly of the non-Romani gaze, challenges in the representation of poverty and story-driven approaches in contemporary documentary practice. Then, it justifies the film's main methodological and ideological standpoints by evaluating the process of pre-production, production, and distribution. In conclusion, the article highlights the importance of ethnographic film as a counterpoint to market-driven storytelling and as a valuable way of representing underrepresented groups of people.

Název v anglickém jazyce

The documentary film Hopa lide: The making of Romani representation

Popis výsledku anglicky

The article concerns the ethnographic documentary film Hopa lide, which stems from the author's ten years of ethnographic research among Romani musicians in Slovakia. The film is based on documenting the collaborative making of music videos. Firstly, the article critically reflects on Romani representation in contemporary documentary films, arguing that it is often distorted due to tendencies toward exoticization, the monopoly of the non-Romani gaze, challenges in the representation of poverty and story-driven approaches in contemporary documentary practice. Then, it justifies the film's main methodological and ideological standpoints by evaluating the process of pre-production, production, and distribution. In conclusion, the article highlights the importance of ethnographic film as a counterpoint to market-driven storytelling and as a valuable way of representing underrepresented groups of people.

Druh

J_imp - Článek v periodiku v databázi Web of Science

CEP obor

—

OECD FORD obor

50404 - Anthropology, ethnology

Projekt

—

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2026

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Visual Anthropology Review

ISSN

1058-7187

e-ISSN

1548-7458

Svazek periodika

42

Číslo periodika v rámci svazku

1

Stát vydavatele periodika

US - Spojené státy americké

Počet stran výsledku

15

Strana od-do

e70015

Kód UT WoS článku

001613880200001

EID výsledku v databázi Scopus

2-s2.0-105021966724