Bromography Known and Unknown

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F70883521%3A28130%2F25%3A63599458" target="_blank" >RIV/70883521:28130/25:63599458 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Bromography Known and Unknown

Popis výsledku v původním jazyce

The exhibition Bromography: Known Unknown presents the outcomes of a research-based artistic project focused on the rediscovery and reinterpretation of bromography, a historically widespread yet today largely forgotten photographic reproduction technique. Developed within doctoral research and a grant-supported project at Univerzita Tomáše Bati ve Zlíně, it combines archival study and experimental reconstructions of historical photochemical processes. A key aim is to verify bromography as a photochemical method in which the image forms in a light-sensitive emulsion and to compare historical bromographs with contemporary experimental reproductions. The installation includes approximately 60 research-based photographs produced using multiple photographic techniques, about 15 original bromographic postcards, and 2 photographs from the estate of Karel Podlipný, and it references interwar image circulation, including links to František Drtikol. An interpretive component explains the exhibited technologies and terminology, helping visitors understand material evidence of the processes and the differences between historical originals and contemporary reconstructions, while highlighting the cultural significance of reproduced photographic images.

Název v anglickém jazyce

Bromography Known and Unknown

Popis výsledku anglicky

The exhibition Bromography: Known Unknown presents the outcomes of a research-based artistic project focused on the rediscovery and reinterpretation of bromography, a historically widespread yet today largely forgotten photographic reproduction technique. Developed within doctoral research and a grant-supported project at Univerzita Tomáše Bati ve Zlíně, it combines archival study and experimental reconstructions of historical photochemical processes. A key aim is to verify bromography as a photochemical method in which the image forms in a light-sensitive emulsion and to compare historical bromographs with contemporary experimental reproductions. The installation includes approximately 60 research-based photographs produced using multiple photographic techniques, about 15 original bromographic postcards, and 2 photographs from the estate of Karel Podlipný, and it references interwar image circulation, including links to František Drtikol. An interpretive component explains the exhibited technologies and terminology, helping visitors understand material evidence of the processes and the differences between historical originals and contemporary reconstructions, while highlighting the cultural significance of reproduced photographic images.

Druh

E_nekrit - Výstava

CEP obor

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OECD FORD obor

60401 - Arts, Art history

Projekt

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Návaznosti

S - Specificky vyzkum na vysokych skolach

Rok uplatnění

2025

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Místo konání akce

Galeria Sztuki A1, Krakow, Poľsko

Stát konání akce

PL - Polská republika

Datum zahájení akce

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Datum ukončení akce

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Celkový počet účastníků

53

Počet zahraničních účastníků

42

Typ akce podle státní přísl. účastníků

EUR - Evropská akce