Otakar Zich's Invisible Actors and Creative Minds

Result code in IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11210%2F14%3A10281159" target="_blank" >RIV/00216208:11210/14:10281159 - isvavai.cz</a>
Result on the web
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DOI - Digital Object Identifier
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Result language
angličtina
Original language name
Otakar Zich's Invisible Actors and Creative Minds
Original language description
In his essay "Sémiotika sémiotika Otakara Zicha" (Otakar Zich's Semiotics, 1981) Ivo Osolsobě seeks to illuminate one of the most troubling and mysterious Zich's terms: "významová představa" (semantic image). For Osolsobě: "is a complex, liminal, and interdisciplinary phenomenon about which a substantial body ofpapers have been written, the majority of them, though, only hardly touched the problem: systematic treatise on the phenomenon is still missing." Nonetheless, Osolsobě succumbs to the theorist'stemptation and ventures into the investigation of the term and, following Mukařovský's 'semiotization' of Aesthetics, finds a relevant connection with Charles S. Peirce's semiotic notion of 'interpretant' which, in Osolsobě's view, resonates with Zich'snotion of semantic visual image. Surprisingly (or mysteriously) though, Osolsobě does not find in Peirce's vast work any corresponding mirror term for Zich's signifying technical image. In my paper, I try to re-read Zich via Peirce and vi
Czech name
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Czech description
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Type
J<sub>x</sub> - Unclassified - Peer-reviewed scientific article (Jimp, Jsc and Jost)
CEP classification
AL - Art, architecture, cultural heritage
OECD FORD branch
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Publication year
2014
Confidentiality
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

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