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Two Journeys: Insights on the Annotation of Large-Scale Optical Music Recognition Datasets

The result's identifiers

  • Result code in IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11320%2F25%3A10511665" target="_blank" >RIV/00216208:11320/25:10511665 - isvavai.cz</a>

  • Result on the web

    <a href="https://zenodo.org/records/17498017" target="_blank" >https://zenodo.org/records/17498017</a>

  • DOI - Digital Object Identifier

    <a href="http://dx.doi.org/10.5281/zenodo.17498017" target="_blank" >10.5281/zenodo.17498017</a>

Alternative languages

  • Result language

    angličtina

  • Original language name

    Two Journeys: Insights on the Annotation of Large-Scale Optical Music Recognition Datasets

  • Original language description

    The use of Optical Music Recognition (OMR) requires annotated music scores (ground truth) for training or adaptation. Besides the level of structured encoding, a significant part of the existing OMR methods still needs ground truth also at image level, which is indeed still important for tasks adjacent to OMR. However, annotating images is a major part of OMR project costs: not just the work of the annotators themselves but also associated software development and process management. Unlike most other more prevalent image annotation tasks in industry, in the case of music notation, infrastructure is lacking, and many pitfalls exist. Thus, in this paper, we report on the combined experience of two ongoing OMR projects with major data collection and annotation efforts, and we formulate recommendations for managing music notation annotation projects, leading to efficient use of the inevitably limited resources.

  • Czech name

  • Czech description

Classification

  • Type

    D - Article in proceedings

  • CEP classification

  • OECD FORD branch

    10201 - Computer sciences, information science, bioinformathics (hardware development to be 2.2, social aspect to be 5.8)

Result continuities

  • Project

    Result was created during the realization of more than one project. More information in the Projects tab.

  • Continuities

    P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)<br>S - Specificky vyzkum na vysokych skolach

Others

  • Publication year

    2025

  • Confidentiality

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Data specific for result type

  • Article name in the collection

    Proceedings of the 17th International Symposium on Computer Music Multidisciplinary Research

  • ISBN

    979-10-97498-06-1

  • ISSN

  • e-ISSN

  • Number of pages

    15

  • Pages from-to

    608-622

  • Publisher name

    The Laboratory PRISM “Perception, Representations, Image, Sound, Music”

  • Place of publication

    Marseille, France

  • Event location

    London, UK

  • Event date

    Nov 3, 2025

  • Type of event by nationality

    WRD - Celosvětová akce

  • UT code for WoS article