The Original or the Fake? The Use of Microscopy and Spectroscopy Methods in the Forensic Criminology Science in Determining the Authenticity of Artworks

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00007064%3AK01__%2F14%3A%230000147" target="_blank" >RIV/00007064:K01__/14:#0000147 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

The Original or the Fake? The Use of Microscopy and Spectroscopy Methods in the Forensic Criminology Science in Determining the Authenticity of Artworks

Popis výsledku v původním jazyce

The proposed contribution deals with the use of microscopic and spectroscopic forensic methods that were used in the inter-institutional cooperation of the Institute of Criminalistics Prague and the National Gallery in Prague in the detection of art forgeries. In the forensic practice, there are different types of traces and samples from the crime scene. Legal classification of criminal offences includes a wide range of violations of law ranging from unauthorized export of artworks, determining ownership rights (copyrights), theft of artwork, to the fraudulent counterfeiting of prominent authors and their sale. We frequently encounter fakes of prominent Czech artists of the 20th century in Bohemia, such as Jan Zrzavy, Emil Filla, Josef Capek, Vaclav Spala and Pravoslav Kotik. The results obtained from the analysis are then also a significant argument for determining the authenticity from a perspective of an restorer and art historian.

Název v anglickém jazyce

The Original or the Fake? The Use of Microscopy and Spectroscopy Methods in the Forensic Criminology Science in Determining the Authenticity of Artworks

Popis výsledku anglicky

The proposed contribution deals with the use of microscopic and spectroscopic forensic methods that were used in the inter-institutional cooperation of the Institute of Criminalistics Prague and the National Gallery in Prague in the detection of art forgeries. In the forensic practice, there are different types of traces and samples from the crime scene. Legal classification of criminal offences includes a wide range of violations of law ranging from unauthorized export of artworks, determining ownership rights (copyrights), theft of artwork, to the fraudulent counterfeiting of prominent authors and their sale. We frequently encounter fakes of prominent Czech artists of the 20th century in Bohemia, such as Jan Zrzavy, Emil Filla, Josef Capek, Vaclav Spala and Pravoslav Kotik. The results obtained from the analysis are then also a significant argument for determining the authenticity from a perspective of an restorer and art historian.

Druh

D - Stať ve sborníku

CEP obor

AG - Právní vědy

OECD FORD obor

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Projekt

Výsledek vznikl pri realizaci vícero projektů. Více informací v záložce Projekty.

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Rok uplatnění

2014

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název statě ve sborníku

18TH INTERNATIONAL MICROSCOPY CONGRESS

ISBN

978-80-260-6720-7

ISSN

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e-ISSN

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Počet stran výsledku

2

Strana od-do

4017-4018

Název nakladatele

Czechoslovak Microscopy Society

Místo vydání

2014

Místo konání akce

Praha

Datum konání akce

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Typ akce podle státní příslušnosti

WRD - Celosvětová akce

Kód UT WoS článku

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