Sober Luxury: Three Examples of Late Kesi Silk Tapestries in the Náprstek Museum

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00023272%3A_____%2F13%3A%230002143" target="_blank" >RIV/00023272:_____/13:#0002143 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Sober Luxury: Three Examples of Late Kesi Silk Tapestries in the Náprstek Museum

Popis výsledku v původním jazyce

The Chinese silk tapestry called kesi represents a traditional method of weaving with distinguished visual effects. Based on ancient Near East weaving techniques is developed in China during the late first millennium into a unique and highly appreciatedapplied art. Kesi tapestry was woven with small bobbins on frames. It resembled embroidery, but it is distinguished by its typical aesthetic appeal, its delicacy and time consuming labour of the weaver. Its use ranged from decorative hangings to men?s and women?s clothing. The kesi hangings functioned visually as paintings. Its aesthetic and social meaning merged with that of painting. Examples of the Chinese silk tapestry from the late 19th and the 20th century in the Náprstek Museum show three technological and visual possibilities of the technique. A rank badge worn on a coat of a Chinese official during the late 19th century, a 1920s?1930s dress of a fashionable lady, and a souvenir hanging from the second half of the 20th century.

Název v anglickém jazyce

Sober Luxury: Three Examples of Late Kesi Silk Tapestries in the Náprstek Museum

Popis výsledku anglicky

The Chinese silk tapestry called kesi represents a traditional method of weaving with distinguished visual effects. Based on ancient Near East weaving techniques is developed in China during the late first millennium into a unique and highly appreciatedapplied art. Kesi tapestry was woven with small bobbins on frames. It resembled embroidery, but it is distinguished by its typical aesthetic appeal, its delicacy and time consuming labour of the weaver. Its use ranged from decorative hangings to men?s and women?s clothing. The kesi hangings functioned visually as paintings. Its aesthetic and social meaning merged with that of painting. Examples of the Chinese silk tapestry from the late 19th and the 20th century in the Náprstek Museum show three technological and visual possibilities of the technique. A rank badge worn on a coat of a Chinese official during the late 19th century, a 1920s?1930s dress of a fashionable lady, and a souvenir hanging from the second half of the 20th century.

Druh

J_x - Nezařazeno - Článek v odborném periodiku (Jimp, Jsc a Jost)

CEP obor

AL - Umění, architektura, kulturní dědictví

OECD FORD obor

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Projekt

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Návaznosti

V - Vyzkumna aktivita podporovana z jinych verejnych zdroju

Rok uplatnění

2013

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Annals of the Náprstek Museum

ISSN

0231-844X

e-ISSN

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Svazek periodika

34

Číslo periodika v rámci svazku

2

Stát vydavatele periodika

CZ - Česká republika

Počet stran výsledku

11

Strana od-do

19-29

Kód UT WoS článku

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EID výsledku v databázi Scopus

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