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Czech Bandmasters in Dalmatia and Littoral Croatia during the Austrian Period (1867-1918) and the Tradition of Civic Brass Bands

Identifikátory výsledku

  • Kód výsledku v IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00023272%3A_____%2F21%3A10135145" target="_blank" >RIV/00023272:_____/21:10135145 - isvavai.cz</a>

  • Výsledek na webu

  • DOI - Digital Object Identifier

Alternativní jazyky

  • Jazyk výsledku

    angličtina

  • Název v původním jazyce

    Czech Bandmasters in Dalmatia and Littoral Croatia during the Austrian Period (1867-1918) and the Tradition of Civic Brass Bands

  • Popis výsledku v původním jazyce

    The annexation of Dalmatia and Littoral to Austria (1815, conclusively 1867) brought a change in cultural influences. Seaside regions with centuries-old links to Venice have been involved in the migration process of musicians and the music repertoire in multinational Austria. A significant layer of cultural heritage dating back to this period is the tradition of civil brass bands. These bands were founded under the influence of Austrian military and naval bands, but a large share in their founding was played by Bohemian (Czech and German) bandleaders and music teachers, who expanded new types of musical instruments and repertoire. Based on Czech sources, the paper will try to clarify the question, of when the import of Austrian music culture began to become a deliberate establishment of contacts between Slavic nations with a common interest in the federalization of the monarchy. Attention will be paid to the parallels between the development of civic bands in Bohemia and Dalmatia in 1860-1918. The interest is also focused on the circumstances of establishing national bands and Sokol bands,, and their later transformations.

  • Název v anglickém jazyce

    Czech Bandmasters in Dalmatia and Littoral Croatia during the Austrian Period (1867-1918) and the Tradition of Civic Brass Bands

  • Popis výsledku anglicky

    The annexation of Dalmatia and Littoral to Austria (1815, conclusively 1867) brought a change in cultural influences. Seaside regions with centuries-old links to Venice have been involved in the migration process of musicians and the music repertoire in multinational Austria. A significant layer of cultural heritage dating back to this period is the tradition of civil brass bands. These bands were founded under the influence of Austrian military and naval bands, but a large share in their founding was played by Bohemian (Czech and German) bandleaders and music teachers, who expanded new types of musical instruments and repertoire. Based on Czech sources, the paper will try to clarify the question, of when the import of Austrian music culture began to become a deliberate establishment of contacts between Slavic nations with a common interest in the federalization of the monarchy. Attention will be paid to the parallels between the development of civic bands in Bohemia and Dalmatia in 1860-1918. The interest is also focused on the circumstances of establishing national bands and Sokol bands,, and their later transformations.

Klasifikace

  • Druh

    C - Kapitola v odborné knize

  • CEP obor

  • OECD FORD obor

    60401 - Arts, Art history

Návaznosti výsledku

  • Projekt

  • Návaznosti

    I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Ostatní

  • Rok uplatnění

    2021

  • Kód důvěrnosti údajů

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Údaje specifické pro druh výsledku

  • Název knihy nebo sborníku

    Between Central Europe and the Mediterranean: Music, Literature and the Performing Arts.

  • ISBN

    978-953-352-065-0

  • Počet stran výsledku

    16

  • Strana od-do

    221-236

  • Počet stran knihy

    759

  • Název nakladatele

    Filozofski fakultet Sveučilišta u Splitu

  • Místo vydání

    Split

  • Kód UT WoS kapitoly