The Network of Austrian Military Bands and Czech Musicians in the South of the Empire

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00023272%3A_____%2F23%3A10136386" target="_blank" >RIV/00023272:_____/23:10136386 - isvavai.cz</a>

Výsledek na webu

<a href="http://dx.doi.org/10.21857/ygjwrcpppy" target="_blank" >http://dx.doi.org/10.21857/ygjwrcpppy</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.21857/ygjwrcpppy" target="_blank" >10.21857/ygjwrcpppy</a>

Jazyk výsledku

angličtina

Název v původním jazyce

The Network of Austrian Military Bands and Czech Musicians in the South of the Empire

Popis výsledku v původním jazyce

The network of military bands became the most reliable employer of professional musicians in the post-Napoleonic Austria. The Prague Conservatory (1811) and the Prague Association for the Support of Military Music (1850) played an important role in the education of bandmasters and instrumentalists. Therefore, these professions were dominated by Bohemians, who later identified themselves as either German Austrians or Czechs. This paper focuses on the participation of Czech military bandmasters in the establishment of music education and civic music life in the south of the monarchy, and on the active role of music schools and music journalism in this process. The principle of permanent rotation of Austrian garrisons mediated the constant mobility of musicians and the subsequent creation of Czech music diaspora. Later, the mediating role of military music weakened, and cultural contacts s between the Slavic nations in the north and south of the monarchy culminated in recent years before the First World War. At this time, it is possible to observe both the still cultivated identity of multi-ethnic Austria and Slavic rhetoric, which has penetrated into music journalism and the market of musical instruments.

Název v anglickém jazyce

The Network of Austrian Military Bands and Czech Musicians in the South of the Empire

Popis výsledku anglicky

The network of military bands became the most reliable employer of professional musicians in the post-Napoleonic Austria. The Prague Conservatory (1811) and the Prague Association for the Support of Military Music (1850) played an important role in the education of bandmasters and instrumentalists. Therefore, these professions were dominated by Bohemians, who later identified themselves as either German Austrians or Czechs. This paper focuses on the participation of Czech military bandmasters in the establishment of music education and civic music life in the south of the monarchy, and on the active role of music schools and music journalism in this process. The principle of permanent rotation of Austrian garrisons mediated the constant mobility of musicians and the subsequent creation of Czech music diaspora. Later, the mediating role of military music weakened, and cultural contacts s between the Slavic nations in the north and south of the monarchy culminated in recent years before the First World War. At this time, it is possible to observe both the still cultivated identity of multi-ethnic Austria and Slavic rhetoric, which has penetrated into music journalism and the market of musical instruments.

Druh

D - Stať ve sborníku

CEP obor

—

OECD FORD obor

60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)

Projekt

—

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2023

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název statě ve sborníku

Musical Networking in the &quot;Long 19th Century&quot;

ISBN

978-953-6090-72-3

ISSN

—

e-ISSN

—

Počet stran výsledku

12

Strana od-do

91-102

Název nakladatele

Hrvatska akademija znanosti i umjetnosti

Místo vydání

Zagreb

Místo konání akce

Zagreb

Datum konání akce

2. 6. 2021

Typ akce podle státní příslušnosti

WRD - Celosvětová akce

Kód UT WoS článku

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