Dvořák's Stabat Mater in Vienna in 1888: Presentation of an Unknown Letter from Antonín Dvořák to Alfred Littleton and Period Critical Reaction

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00023272%3A_____%2F24%3A10136581" target="_blank" >RIV/00023272:_____/24:10136581 - isvavai.cz</a>

Výsledek na webu

<a href="https://publikace.nm.cz/file/095875f3f979e1a1daf269eaa3dbcca2/47752/05_Vejvodova-Kadlickova.pdf" target="_blank" >https://publikace.nm.cz/file/095875f3f979e1a1daf269eaa3dbcca2/47752/05_Vejvodova-Kadlickova.pdf</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.37520/muscz.2024.004" target="_blank" >10.37520/muscz.2024.004</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Dvořák's Stabat Mater in Vienna in 1888: Presentation of an Unknown Letter from Antonín Dvořák to Alfred Littleton and Period Critical Reaction

Popis výsledku v původním jazyce

The present study aims to analyse the manifestations of the reception of the Viennese orchestral premiere of Dvořák&apos;s Stabat Mater held on 19 February 1888 under the baton of Hans Richter as part of the Gesellschaft der Musikfreunde concerts. It was the composer who mentioned its negative response in a hitherto unknown letter to Alfred Littleton dated 1 April 1888, which the National Museum managed to purchase for the collection of the Antonín Dvořák Museum in 2017. The first part of the text is devoted to this letter and to the problem of acquiring the composer&apos;s correspondence, which ends with a critical edition of the letter. The study also discusses other facts connected with the orchestral premiere of the work, such as the Czech-German polemic in the Olomouc press after the performance of Stabat Mater in Vienna or the successful Budapest performance of the work under the composer&apos;s baton shortly after the Vienna premiere on 28 March 1888.

Název v anglickém jazyce

Dvořák's Stabat Mater in Vienna in 1888: Presentation of an Unknown Letter from Antonín Dvořák to Alfred Littleton and Period Critical Reaction

Popis výsledku anglicky

The present study aims to analyse the manifestations of the reception of the Viennese orchestral premiere of Dvořák&apos;s Stabat Mater held on 19 February 1888 under the baton of Hans Richter as part of the Gesellschaft der Musikfreunde concerts. It was the composer who mentioned its negative response in a hitherto unknown letter to Alfred Littleton dated 1 April 1888, which the National Museum managed to purchase for the collection of the Antonín Dvořák Museum in 2017. The first part of the text is devoted to this letter and to the problem of acquiring the composer&apos;s correspondence, which ends with a critical edition of the letter. The study also discusses other facts connected with the orchestral premiere of the work, such as the Czech-German polemic in the Olomouc press after the performance of Stabat Mater in Vienna or the successful Budapest performance of the work under the composer&apos;s baton shortly after the Vienna premiere on 28 March 1888.

Druh

J_ost - Ostatní články v recenzovaných periodicích

CEP obor

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OECD FORD obor

60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)

Projekt

—

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2024

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Musicalia

ISSN

1803-7828

e-ISSN

—

Svazek periodika

16

Číslo periodika v rámci svazku

1-2

Stát vydavatele periodika

CZ - Česká republika

Počet stran výsledku

32

Strana od-do

110-141

Kód UT WoS článku

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EID výsledku v databázi Scopus

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