The Promoting of Smetana's Operas in Hamburg from 1881 to 1897
Identifikátory výsledku
Kód výsledku v IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00023272%3A_____%2F24%3A10136624" target="_blank" >RIV/00023272:_____/24:10136624 - isvavai.cz</a>
Výsledek na webu
<a href="https://publikace.nm.cz/file/fb56b23db28fc41aea22ad3f0931bcd2/47746/03_Viktorova.pdf" target="_blank" >https://publikace.nm.cz/file/fb56b23db28fc41aea22ad3f0931bcd2/47746/03_Viktorova.pdf</a>
DOI - Digital Object Identifier
<a href="http://dx.doi.org/10.37520/muscz.2024.002" target="_blank" >10.37520/muscz.2024.002</a>
Alternativní jazyky
Jazyk výsledku
angličtina
Název v původním jazyce
The Promoting of Smetana's Operas in Hamburg from 1881 to 1897
Popis výsledku v původním jazyce
The present article is based on research of sources from Hamburg, and it adds some new information to earlier discoveries about performances of Smetana's operas at the Municipal Theatre in Hamburg in 1881-1882 and 1894-1897. On the basis of the examination of period theatre playbills for all of the performances, of the full texts of reviews and their biographical information, and of the correspondence of the relevant persons, the productions in question began to assume more concrete outlines. The article also gives the basic outlines of Pollini's and Mahler's Hamburg era. The depth to which Smetana's operas put down roots on Hamburg's theatrical stage, which had been setting the tone for all of Germany since the 1880s, is shown by performance statistics. The quoted press reviews of individual performances show respect for Smetana's operatic works, but except perhaps for The Bartered Bride, those operas cannot be shown to have had lasting success.
Název v anglickém jazyce
The Promoting of Smetana's Operas in Hamburg from 1881 to 1897
Popis výsledku anglicky
The present article is based on research of sources from Hamburg, and it adds some new information to earlier discoveries about performances of Smetana's operas at the Municipal Theatre in Hamburg in 1881-1882 and 1894-1897. On the basis of the examination of period theatre playbills for all of the performances, of the full texts of reviews and their biographical information, and of the correspondence of the relevant persons, the productions in question began to assume more concrete outlines. The article also gives the basic outlines of Pollini's and Mahler's Hamburg era. The depth to which Smetana's operas put down roots on Hamburg's theatrical stage, which had been setting the tone for all of Germany since the 1880s, is shown by performance statistics. The quoted press reviews of individual performances show respect for Smetana's operatic works, but except perhaps for The Bartered Bride, those operas cannot be shown to have had lasting success.
Klasifikace
Druh
J<sub>ost</sub> - Ostatní články v recenzovaných periodicích
CEP obor
—
OECD FORD obor
60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)
Návaznosti výsledku
Projekt
—
Návaznosti
I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace
Ostatní
Rok uplatnění
2024
Kód důvěrnosti údajů
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů
Údaje specifické pro druh výsledku
Název periodika
Musicalia
ISSN
1803-7828
e-ISSN
—
Svazek periodika
16
Číslo periodika v rámci svazku
1-2
Stát vydavatele periodika
CZ - Česká republika
Počet stran výsledku
24
Strana od-do
35-58
Kód UT WoS článku
—
EID výsledku v databázi Scopus
—