Smetana's Prague Carnival Arranged by Václav Talich
Identifikátory výsledku
Kód výsledku v IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00023272%3A_____%2F24%3A10136635" target="_blank" >RIV/00023272:_____/24:10136635 - isvavai.cz</a>
Výsledek na webu
<a href="https://publikace.nm.cz/file/9a21e19b326b6a0b0300e5ca99824ccf/47749/04_Ehlova.pdf" target="_blank" >https://publikace.nm.cz/file/9a21e19b326b6a0b0300e5ca99824ccf/47749/04_Ehlova.pdf</a>
DOI - Digital Object Identifier
<a href="http://dx.doi.org/10.37520/muscz.2024.003" target="_blank" >10.37520/muscz.2024.003</a>
Alternativní jazyky
Jazyk výsledku
angličtina
Název v původním jazyce
Smetana's Prague Carnival Arranged by Václav Talich
Popis výsledku v původním jazyce
The present study introduces a previously unknown arrangement of Smetana's last completed orchestral composition, Prague Carnival (1883), which for many years was perceived and interpreted as evidence of the decline of the composer's creative powers. Although this view has gradually changed since the late 1890s, thanks mainly to the efforts of Josef Theurer, the work has appeared on concert stages only very rarely and almost always in the arrangement of Karel Kovařovic, whose instrumental retouches have considerably altered Smetana's original sound idea.As the incidental discovery of a copy of the score of Prague Carnival in the Czech Radio archives shows, in addition to Kovařovic, Václav Talich also intervened significantly in the work and conducted his own version of Prague Carnival and even recorded it with the Czech Philharmonic and the Czech Radio Orchestra long after Smetana's original score was available in Otakar Zich's critical edition. In addition to Talich's specific interventions in the work, the study also outlines the problematic reception of the composition, which even today - 200 years after the composer's birth - is considered more or less a rarity and as such is only occasionaly performed.
Název v anglickém jazyce
Smetana's Prague Carnival Arranged by Václav Talich
Popis výsledku anglicky
The present study introduces a previously unknown arrangement of Smetana's last completed orchestral composition, Prague Carnival (1883), which for many years was perceived and interpreted as evidence of the decline of the composer's creative powers. Although this view has gradually changed since the late 1890s, thanks mainly to the efforts of Josef Theurer, the work has appeared on concert stages only very rarely and almost always in the arrangement of Karel Kovařovic, whose instrumental retouches have considerably altered Smetana's original sound idea.As the incidental discovery of a copy of the score of Prague Carnival in the Czech Radio archives shows, in addition to Kovařovic, Václav Talich also intervened significantly in the work and conducted his own version of Prague Carnival and even recorded it with the Czech Philharmonic and the Czech Radio Orchestra long after Smetana's original score was available in Otakar Zich's critical edition. In addition to Talich's specific interventions in the work, the study also outlines the problematic reception of the composition, which even today - 200 years after the composer's birth - is considered more or less a rarity and as such is only occasionaly performed.
Klasifikace
Druh
J<sub>ost</sub> - Ostatní články v recenzovaných periodicích
CEP obor
—
OECD FORD obor
60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)
Návaznosti výsledku
Projekt
—
Návaznosti
I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace
Ostatní
Rok uplatnění
2024
Kód důvěrnosti údajů
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů
Údaje specifické pro druh výsledku
Název periodika
Musicalia
ISSN
1803-7828
e-ISSN
—
Svazek periodika
16
Číslo periodika v rámci svazku
1-2
Stát vydavatele periodika
CZ - Česká republika
Počet stran výsledku
16
Strana od-do
81-96
Kód UT WoS článku
—
EID výsledku v databázi Scopus
—