Chinese or Western. A Few Observations on the Works of Some Twentieth Century Chinese Painters Housed in European Collections
Identifikátory výsledku
Kód výsledku v IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00023281%3A_____%2F12%3A%230000544" target="_blank" >RIV/00023281:_____/12:#0000544 - isvavai.cz</a>
Výsledek na webu
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DOI - Digital Object Identifier
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Alternativní jazyky
Jazyk výsledku
angličtina
Název v původním jazyce
Chinese or Western. A Few Observations on the Works of Some Twentieth Century Chinese Painters Housed in European Collections
Popis výsledku v původním jazyce
The article focuses on the art of several modern Chinese painters against the background of the collections of their paintings in Europe. It involves the study of several European collections of modern Chinese painting, namely those housed in France, Great Britain and Czech Republic. It analyzes the works of several modern Chinese painters, who stand in the centre of the process of encounters and acquaintances between the Chinese and the Western art worlds in the inter-war period and compares their works housed in different European collections. Simultaneously, it discusses the way these collections were formed and the means by which the discussed works got into these collections. The article aims, on the one hand, at a more detailed description of thenature of the European collections themselves, while on the other hand it contributes to our understanding of the intricate nature of the oeuvre of the painters discussed.
Název v anglickém jazyce
Chinese or Western. A Few Observations on the Works of Some Twentieth Century Chinese Painters Housed in European Collections
Popis výsledku anglicky
The article focuses on the art of several modern Chinese painters against the background of the collections of their paintings in Europe. It involves the study of several European collections of modern Chinese painting, namely those housed in France, Great Britain and Czech Republic. It analyzes the works of several modern Chinese painters, who stand in the centre of the process of encounters and acquaintances between the Chinese and the Western art worlds in the inter-war period and compares their works housed in different European collections. Simultaneously, it discusses the way these collections were formed and the means by which the discussed works got into these collections. The article aims, on the one hand, at a more detailed description of thenature of the European collections themselves, while on the other hand it contributes to our understanding of the intricate nature of the oeuvre of the painters discussed.
Klasifikace
Druh
J<sub>x</sub> - Nezařazeno - Článek v odborném periodiku (Jimp, Jsc a Jost)
CEP obor
AL - Umění, architektura, kulturní dědictví
OECD FORD obor
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Návaznosti výsledku
Projekt
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Návaznosti
V - Vyzkumna aktivita podporovana z jinych verejnych zdroju
Ostatní
Rok uplatnění
2012
Kód důvěrnosti údajů
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů
Údaje specifické pro druh výsledku
Název periodika
Oriens Extremus
ISSN
0030-5197
e-ISSN
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Svazek periodika
2012
Číslo periodika v rámci svazku
51
Stát vydavatele periodika
DE - Spolková republika Německo
Počet stran výsledku
17
Strana od-do
269-285
Kód UT WoS článku
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EID výsledku v databázi Scopus
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