Chinese or Western. A Few Observations on the Works of Some Twentieth Century Chinese Painters Housed in European Collections

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00023281%3A_____%2F12%3A%230000544" target="_blank" >RIV/00023281:_____/12:#0000544 - isvavai.cz</a>

Výsledek na webu

—

DOI - Digital Object Identifier

—

Jazyk výsledku

angličtina

Název v původním jazyce

Chinese or Western. A Few Observations on the Works of Some Twentieth Century Chinese Painters Housed in European Collections

Popis výsledku v původním jazyce

The article focuses on the art of several modern Chinese painters against the background of the collections of their paintings in Europe. It involves the study of several European collections of modern Chinese painting, namely those housed in France, Great Britain and Czech Republic. It analyzes the works of several modern Chinese painters, who stand in the centre of the process of encounters and acquaintances between the Chinese and the Western art worlds in the inter-war period and compares their works housed in different European collections. Simultaneously, it discusses the way these collections were formed and the means by which the discussed works got into these collections. The article aims, on the one hand, at a more detailed description of thenature of the European collections themselves, while on the other hand it contributes to our understanding of the intricate nature of the oeuvre of the painters discussed.

Název v anglickém jazyce

Chinese or Western. A Few Observations on the Works of Some Twentieth Century Chinese Painters Housed in European Collections

Popis výsledku anglicky

The article focuses on the art of several modern Chinese painters against the background of the collections of their paintings in Europe. It involves the study of several European collections of modern Chinese painting, namely those housed in France, Great Britain and Czech Republic. It analyzes the works of several modern Chinese painters, who stand in the centre of the process of encounters and acquaintances between the Chinese and the Western art worlds in the inter-war period and compares their works housed in different European collections. Simultaneously, it discusses the way these collections were formed and the means by which the discussed works got into these collections. The article aims, on the one hand, at a more detailed description of thenature of the European collections themselves, while on the other hand it contributes to our understanding of the intricate nature of the oeuvre of the painters discussed.

Druh

J_x - Nezařazeno - Článek v odborném periodiku (Jimp, Jsc a Jost)

CEP obor

AL - Umění, architektura, kulturní dědictví

OECD FORD obor

—

Projekt

—

Návaznosti

V - Vyzkumna aktivita podporovana z jinych verejnych zdroju

Rok uplatnění

2012

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Oriens Extremus

ISSN

0030-5197

e-ISSN

—

Svazek periodika

2012

Číslo periodika v rámci svazku

51

Stát vydavatele periodika

DE - Spolková republika Německo

Počet stran výsledku

17

Strana od-do

269-285

Kód UT WoS článku

—

EID výsledku v databázi Scopus

—