Music, Synaesthesia and Czech Abstract Art. František Kupka ? Arnošt Hošek ? Miroslav Ponc ? Zdeněk Pešánek

Kód výsledku v IS VaVaI

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Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Music, Synaesthesia and Czech Abstract Art. František Kupka ? Arnošt Hošek ? Miroslav Ponc ? Zdeněk Pešánek

Popis výsledku v původním jazyce

In Czech abstract art of the 1920s and 30s several solitary figures appeared, in whose work and theoretical discourses it is possible to find sophisticated connections of artistic structure with musical principles, an endeavour to systematise the relationships of tones and colours, attempts at visualisation of music or examination of synesthetic perception. Although the connections of their endeavours with analogous international tendencies are clear from today's perspective, in inter-war Czechoslovakiathey were rather of a character of marginal and singular experiments, altogether subjected to sharp criticism from the authorities of the Czech avant-garde. This paper presents differing, distinctive approaches to the connection of music and visual artin the work of the architect, painter and member of the Paris group Les artistes musicalistes Arnošt Hošek (1885-1941), the artistically gifted musical composer Miroslav Ponc (1902-1976) and the sculptor and pioneer of kinetic art Zdeněk

Název v anglickém jazyce

Music, Synaesthesia and Czech Abstract Art. František Kupka ? Arnošt Hošek ? Miroslav Ponc ? Zdeněk Pešánek

Popis výsledku anglicky

In Czech abstract art of the 1920s and 30s several solitary figures appeared, in whose work and theoretical discourses it is possible to find sophisticated connections of artistic structure with musical principles, an endeavour to systematise the relationships of tones and colours, attempts at visualisation of music or examination of synesthetic perception. Although the connections of their endeavours with analogous international tendencies are clear from today's perspective, in inter-war Czechoslovakiathey were rather of a character of marginal and singular experiments, altogether subjected to sharp criticism from the authorities of the Czech avant-garde. This paper presents differing, distinctive approaches to the connection of music and visual artin the work of the architect, painter and member of the Paris group Les artistes musicalistes Arnošt Hošek (1885-1941), the artistically gifted musical composer Miroslav Ponc (1902-1976) and the sculptor and pioneer of kinetic art Zdeněk

Druh

C - Kapitola v odborné knize

CEP obor

AL - Umění, architektura, kulturní dědictví

OECD FORD obor

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Projekt

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Návaznosti

V - Vyzkumna aktivita podporovana z jinych verejnych zdroju

Rok uplatnění

2012

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název knihy nebo sborníku

The Neighbouring of Cultures, the Borderlines of Arts

ISBN

978-83-7614-107-7

Počet stran výsledku

15

Strana od-do

329-343

Počet stran knihy

422

Název nakladatele

Akademia Ignatianum, Wydawnictwo WAM

Místo vydání

Krakow

Kód UT WoS kapitoly

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