Against the affectless Iconology of Modern Art

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00023752%3A_____%2F16%3A43915265" target="_blank" >RIV/00023752:_____/16:43915265 - isvavai.cz</a>

Nalezeny alternativní kódy

RIV/00216224:14210/16:00088634

Výsledek na webu

<a href="http://www.umeni-art.cz/cz/issue-detail.aspx?v=issue-issue-2739" target="_blank" >http://www.umeni-art.cz/cz/issue-detail.aspx?v=issue-issue-2739</a>

DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Against the affectless Iconology of Modern Art

Popis výsledku v původním jazyce

The affectivity of works of art and the affective response to them remain a difficult subject for art history and theory. Among the key issues for art history and theory are questions such as: What constitutes the affectivity of the image? What role has the beholder's affective response in the experience of a painting or sculpture, and how is the affective dimension activated in the hermeneutical act of viewing and understanding? And, finally, how is the emotional effect of the art work to be related to the causal account of its making, or, what is the place of affective response in the interpretation of a work of art? The essay focuses on these issues by considering a few micro case studies through the prism of the emerging theory of affective response to images. The essay is written as an extended argument against some recent 'turn against affect' views in art history and theory and against 'affectless iconology' an interpretive practice which overlooks the affectivity of the work of art and/or denies it any place in the interpretation. The case studies, all concerned with figural work made in the period 1910-12, analyse several distinct scenarios of relation between the affective response and the meaning (or intention) of the work in question. They demonstrate how literary and other cultural associations the works possess are grounded in and/or are accessible through the beholder's affective response in multiple ways.

Název v anglickém jazyce

Against the affectless Iconology of Modern Art

Popis výsledku anglicky

The affectivity of works of art and the affective response to them remain a difficult subject for art history and theory. Among the key issues for art history and theory are questions such as: What constitutes the affectivity of the image? What role has the beholder's affective response in the experience of a painting or sculpture, and how is the affective dimension activated in the hermeneutical act of viewing and understanding? And, finally, how is the emotional effect of the art work to be related to the causal account of its making, or, what is the place of affective response in the interpretation of a work of art? The essay focuses on these issues by considering a few micro case studies through the prism of the emerging theory of affective response to images. The essay is written as an extended argument against some recent 'turn against affect' views in art history and theory and against 'affectless iconology' an interpretive practice which overlooks the affectivity of the work of art and/or denies it any place in the interpretation. The case studies, all concerned with figural work made in the period 1910-12, analyse several distinct scenarios of relation between the affective response and the meaning (or intention) of the work in question. They demonstrate how literary and other cultural associations the works possess are grounded in and/or are accessible through the beholder's affective response in multiple ways.

Druh

J_x - Nezařazeno - Článek v odborném periodiku (Jimp, Jsc a Jost)

CEP obor

AL - Umění, architektura, kulturní dědictví

OECD FORD obor

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Projekt

Výsledek vznikl pri realizaci vícero projektů. Více informací v záložce Projekty.

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Rok uplatnění

2016

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Umění

ISSN

0049-5123

e-ISSN

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Svazek periodika

64

Číslo periodika v rámci svazku

1

Stát vydavatele periodika

CZ - Česká republika

Počet stran výsledku

17

Strana od-do

2-18

Kód UT WoS článku

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EID výsledku v databázi Scopus

2-s2.0-84987942256